Finalists announced for 2021 OFFIES Awards

One of the highlights of the theatre year comfortingly continues despite Covid interruption as the OFFIES finalists are announced, celebrating the best in theatre outside the West End, on smaller, more intimate stages.

Despite the smaller numbers of entrants, there is still much talent to be celebrated in the shortlists and finalist lists.

Some categories did not have enough entries to be considered competitive and therefore finalists were not announced. The biggest oversight in this approach is that Temi Wilkey, author of the brilliant THE HIGH TABLE, is not eligible to win Most Promising New Playwright, a title which she eminently deserves.

In the set design award, the most interesting for me is Casey Jay Andrews’ complex and intriguing constructions for LOCKDOWN TOWN which opened in London in October 2020, a journey through the history of music expertly produced by Tim Wilson.

Musicals-wise, dynamic and savvy independent producer Katy Lipson has been rewarded with a slew of nominations for her shows RAGS and THE LAST FIVE YEARS across performance, direction, Musical Direction, production and lighting.

In terms of plays, there are several standouts here. The finest all-round production for me was Richmond’s Orange Tree Theatre’s inspired revival of Lucy Prebble’s THE SUGAR SYNDROME, with every member of the cast nominated but lead by a mesmerising performance (fresh out of drama school) by Jessica Rhodes, of whom you will hear much, much more I am certain.

Athena Stevens’ challenging drama SCROUNGER also picked up an impressive array of nominations, well-deserved for its originality and sometimes uncomfortable truth.

The winners will be announced in a virtual ceremony held on February 21st.

Congratulations to all the those celebrated in these shortlists!

For a full list of all the nominees and finalists, visit the OFFIES website here

You can find a full list of the finalists below.

OFFIES 2021 finalists

Design; Set

FINALIST: Casey Jay Andrews / Lockdown Town

FINALIST: Lucy Osborne / Afterplay / Coronet Theatre

FINALIST: Patrick Connellan / The Incident Room / New Diorama with Greenwich Theatre

Design: Lighting

FINALIST: Jamie Platt / The Last 5 Years / Southwark Playhouse

FINALIST: Malcolm Rippeth / Afterplay / Coronet Theatre

FINALIST: Tom White / Macbeth / Wiltons Music Hall

Design: Sound

FINALIST: Max Pappenheim / Sunnymead Court / Tristan Bates Theatre

FINALIST: Neil Bettles / Petrichor / Theatre Royal Stratford East

FINALIST: Yaiza Varona / The Incident Room / New Diorama with Greenwich Theatre

Musicals: Lead Performance

FINALIST: Carolyn Maitland / Rags / Park Theatre

FINALIST: Frances Barber  / Musik / Leicester Square Theatre

FINALIST: Molly Lynch  / The Last 5 Years / Southwark Playhouse

FINALIST: Oli Higginson / The Last 5 Years / Southwark Playhouse

Musicals: Supporting Performance

FINALIST: Beaux Harris  / Blitz! / Union Theatre

FINALIST: Dave Willetts / Rags / Park Theatre

FINALIST: Rachel Izen / Rags / Park Theatre

Musicals: Musical Director

FINALIST: George Dyer / The Last 5 Years / Southwark Playhouse

FINALIST: Joe Bunker / Rags / Park Theatre

FINALIST: Michael Bradley / Pippin / Garden Theatre at the Eagle

Musicals: Director

FINALIST: Bronagh Lagan / Rags / Park Theatre

FINALIST: Jonathan O’Boyle / The Last 5 Years / Southwark Playhouse

Musicals: Production

FINALIST: Pippin / Garden Theatre at the Eagle / LAMBCO Productions

FINALIST: Rags / Park Theatre / Katy Lipson for Aria Entertainment

FINALIST: The Last 5 Years / Southwark Playhouse / Katy Lipson for Aria Entertainment in association with Edward Prophet and People Entertainment Group

Ensemble: Performance

FINALIST: Stephanie Booth & Hannah Livingstone / We Were Having A Perfectly Nice Time / Omnibus Theatre

FINALIST: Ryan Anderson, Tsemaye Bob-Egbe, Tanisha-Mae Brown, Joanne Clifton, Harry Francis, Dan Krikler / Pippin / Garden Theatre at the Eagle

FINALIST: Rachel Barnes, Laurie Jamieson, Nigel Taylor, Daniel Ward / The Canary and The Crow / Arcola

Plays: Lead Performance

FINALIST: James Demaine / Nuclear War / Buried / Graceland / Old Red Lion

FINALIST: Jessica Rhodes / The Sugar Syndrome / Orange Tree Theatre

FINALIST: Sam Crane / The Rage of Narcissus / Pleasance

Plays: Supporting Performance

FINALIST: Ali Barouti / The Sugar Syndrome / Orange Tree Theatre

FINALIST: John Hollingworth   / The Sugar Syndrome / Orange Tree Theatre

FINALIST: Leigh Quinn  / Scrounger / Finborough

Plays: Performance Piece

FINALIST: Daniel Ward / The Canary and The Crow / Arcola

FINALIST: Lucy McCormick / Lucy McCormick, Post Popular / Soho Theatre, Johnson & Mackay & United Agents

FINALIST: Miguel Hernando Torres Umba / Stardust / Roundhouse

Plays: New Play

FINALIST: Sam Steiner / You Stupid Darkness! / Southwark Playhouse

FINALIST: Sergio Blanco / The Rage of Narcissus / Pleasance

FINALIST: Athena Stevens  / Scrounger / Finborough

Plays: Director

FINALIST: Jim Pope / Can I Help You? / Omnibus Theatre

FINALIST: Lily McLeish / Scrounger / Finborough FINALIST: Phoebe Barran / Tryst / Chiswick Playhouse

Review: THE SUGAR SYNDROME

THE SUGAR SYNDROME Plays the Orange Tree Theatre, Richmond until February 22nd. Tickets and Information here

IN BRIEF Challenging debut from Lucy Prebble hits home in sensitive revival with an outstanding lead performance

It’s 2003 and the internet is an unsophisticated, labyrinthine beast – a thrill-ride. But for teenagers, it’s excitingly dangerous, new and thrillingly sexual – where you can create your own online personality. Online Dani is a sharp, flirty, confident person. Offline Dani is a troubled 17 year-old with an eating disorder and a need to ‘fix’ others. But when her fantasy and reality “worlds collide”, things aren’t as binary as they first appeared…

Dani meets ex-teacher Tim in a park playground. It’s a shock for him- he thought she was an 11-year old boy. With the sexual aspect removed, Dani and Tim create something akin to a friendship. She offers a listening ear. He accepts. Freed from expectation, they can talk openly about their issues. When a row results in Dani leaving home, Tim offers her shelter. When a drunken evening ends badly, he pulls back and she reverts.

It is only when confronted by the disturbing evidence of what Tim gets gratification from that a realisation dawns that this is not something she can fix in him. That realisation causes a reassessment of her other relationships, most notably with her mother, resulting in a reconciliation and a hopeful ending.

A top-notch cast is lead by Jessica Rhodes, who is mesmerising in a highly accomplished performance as Dani, a very difficult role, even more impressive as this is her professional debut. Rarely offstage during the play’s two hour running time, she gives an intricate, nuanced, insightful portrayal of this fragile, smart, emotionally-hungry young woman at a turning point in her life. Tim is effectively played by John Hollingworth with a muted, wounded restraint which generates a kind of sympathy – up to a point. Alexandra Gilbreath worries and paces to effect as the discarded wife and mother – we feel for her as time passes by, cruelly diminishing her. Ali Barouti successfully breathes anxious life into young Lewis, another online encounter, whose connection with Dani lasts longer than the one-minute hand-job she “fixes” him with. We feel for him in his lament at why good women go out with bad men.

Lucy Prebble’s debut play from 2003 is an assured treatment of difficult and controversial subjects, artfully blending surprising moments of humour which arise naturally from the characters, giving a real human edge to the script, and it succeeds with aplomb in this timely revival directed with care and understanding by Oscar Toeman.

Sound and lighting add to the production (particularly the nostalgic sound and flickering LED lights of old-fashioned dial-up internet!), and the minimal set is simple and effective.

THE SUGAR SYNDROME is yet another first-class revival from the adventurous management of the Orange Tree. I’m looking forward to the rest of the season.

THE SUGAR SYNDROME Plays the Orange Tree Theatre, Richmond until February 22nd. Tickets and Information here


February’s Top Shows

Welcome to February’s show highlights. Here are my picks of the most interesting shows that you can find around London and the UK.

Off-West End

Opening

Running from 12 February to 3 May, BE MORE CHILL is the long-awaited UK premiere of this on- and off- Broadway hit musical.

Featuring a Tony Award®-nominated score bursting with memorable songs, BE MORE CHILL is a very modern musical comedy about the competing voices in all of our heads.

It’s about a guy (he wants to fit in), a girl (she wants to be noticed), and the supercomputer inside the guy’s head that tells him what to do (it wants to take over the world!). According to The New Yorker, “If you fed Dear Evan Hansen to the Little Shop of Horrors plant, you’d get BE MORE CHILL.” In other words, it’s both a relatable tale about how far we’ll go for a little validation… and an otherworldly delight about a loveable geek and his very invasive (im)plant. Sounds fun!


In HOW TO SAVE A LIFE at Theatre503 from 11 to 15 February, Melissa wakes up after collapsing at her Cancer party . . . yes a cancer party. And she can’t tell you if she’s dead or alive but she can tell you the story of her life. Join Melissa in this funny and heartfelt story of one women, one party and a cancer diagnosis.


LGBT+ History Month

February is LGBT+ History Month, and there are a number of plays which have been produced to coincide with this time of celebration. Here are four picks

In THE HIGH TABLE , the dresses are chosen, the venue’s been booked and the RSVPs are flooding in. But Tara’s perfect Nigerian wedding to her girlfriend Leah is suddenly derailed when her parents refuse to attend. 

High above London, suspended between the stars, three of Tara’s ancestors are jolted from their eternal rest. Can these representatives of generations passed keep the family together? And will Tara’s decision ever get their blessing?

An epic family drama played out between the heavens and earth, THE HIGH TABLE is the intriguing debut play from Temi Wilkey, which plays at the Bush Theatre from 8 February to 21 March.


NO SWEAT, playing at The Pleasance from February 4 to 29, highlights the hidden homelessness crisis in young LGBTQ+ people.

Working together with young LGBTQ+ ex/homeless people in London, writer Vicky Moran’s new play shines a light on a forgotten generation of homeless youth.

Combining real stories, verbatim interview clips and an original score, NO SWEAT reveals stories from within the world of gay saunas – a common place for young homeless people to seek accommodation. In a world where stability is a second from slipping through your fingers, austerity combined with prejudice sees young people putting themselves at risk all too often.

Come inside the sauna. Here you’ll meet Tristan, Alf and Charlie who will show you the ropes when it comes to survival. But how long can they battle against the system? NO SWEAT is an examination of friendship, family and the fight for recognition.


At the Park Theatre from February 5 to 29, TIME AND TIDE is an LGBT comic drama about a Norfolk community, struggling with change.

May runs a crumbling caff on the end of Cromer Pier. Her delivery man, Ken, is running out of customers, thanks to Costa. Nemo is desperate to tread the boards in London. His unrequited love, Daz, is burying his head in the sand over his best mate leaving.

From award-winning writer James McDermott , TIME AND TIDE was longlisted for The Verity Bargate Award, the Bruntwood and Papatango Playwriting Prizes, and developed as part of Park Theatre’s Script Accelerator Programme.


Also at the Park Theatre from February 12 to March 21 is LA CAGE AUX FOLLES – THE PLAY

Many people recall with pleasure the Tony Award-winning musical, but not everyone knew that the story was originally a hilarious French play which ran for years, and which then was made into four feature films which broke worldwide box office records and were multi-award nominated . Now the Park Theatre gives you the first opportunity to see the original, riotous and heartfelt farce translated into the English language.

Nightclub owner Georges and his dazzling drag artiste partner Albin create the most spectacular shows in St. Tropez. But when Georges’ son Laurent announces his engagement to the daughter of a notoriously right-wing politician determined to bring the curtain down on the town’s vibrant nightlife, the real performance begins.

As Georges and Albin entertain their soon-to-be in laws and attempt to conceal their true nature for the sake of their son, how long can the façade last?

Directed by Simon Callow, and with a great cast including Michael Matus, Paul Hunter and Peter Straker amongst others, this should be a very entertaining evening.


At the Bush Theatre studio from February 5 to March 14 is COLLAPSIBLE. Essie’s lost her job. Her girlfriend’s left. But she’s alright. Except lately she feels more like a chair than a person. One of those folding chairs. Solid one minute. And then.

From award-winning Irish writer Margaret Perry (Porcelain, Abbey Theatre), this is the hilarious, multi award-winning play about holding on in this collapsing world, starring the “mesmeric” (Guardian) Breffni Holahan, COLLAPSIBLE is for anyone who has ever felt crumbly. So that’s all of us, then!


NO SHOW at The Yard runs from February 24 – March 14. Christopher Green is best known for his cabaret alter egos Ida Barr and Tina C.

This is the show that Christopher has spent over two decades making. It’s the culmination of 25 years of entertaining tens of thousands of audience members and learning exactly what makes them tick. What they want. It’s the leadership we’ve been seeking in troubling times. Frankly, I haven’t a clue but with this performer you can bet it won’t be dull!!


Running from 3 to 22 February at Battersea Arts Centre, AUTOREVERSE is is the true story of one family’s determination to find a place to call home.

Florencia has an old box full of cassette tapes from her family home in Chile. As she starts listening to them in her room in London, she travels back in time and space, to when her family fled Argentina’s dictatorship and started recording audio letters to stay in touch with their loved ones.

Spanning four decades, Florencia Cordeu and director Omar Elerian (Misty, Going Through, NASSIM, One Cold Dark Night, Islands) create a moving and uplifting audio-visual experience that asks what it means to remember: as an individual, as a family, and as a country.


Tell all the truth, but tell it slant.

In TELL IT SLANT, Dara and Vick have a history. Dara is the veteran press officer, Vick the rookie struggling through an uncomfortable first day. They thought the most complicated thing they would be facing was their own feelings and a tricky news story about cats, but a sudden crisis changes everything.

Emotions set to the side, they have no choice but to work together to deal with a raft of journalists. But how do they get the real story out when flashy lies are so much more attractive?

The show was written without specifying a gender, and the actors playing Dara and Vick will alternate roles throughout the run, showing how the story and characters change, or don’t, when one is a man and one is a woman.

A gender-switching, romantic black-comedy about fake news in a crisis, TELL IT SLANT runs at the Hope Theatre from February 25 to March 14


At the Hope Theatre from 4 to 22 February is comic drama I WOKE UP FEELING ELECTRIC — a very human story about electronic minds.

Bertie, what’s the weather like?
Bertie, how’s my commute?
Bertie, define ‘ineluctable’.

A work-life balance is hard to find when you’re an AI assistant. Luckily for Bertie, it’s easy to enjoy your job when you were literally made for it. Sending emails, making playlists, checking the weather forecast — he loves it all.

But one night his world is upended by Vita, a new, smarter AI, who invades his world, and upsets his well-constructed routine. Trying to come to terms with this interloper, Bertie is forced to reassess everything he thought he knew — to examine the limits of the life he’s always loved.


On Sunday 9 February, Greenwich Theatre hosts THE LET AWARD AND GREENWICH PARTNERSHIP SHOWCASE. The LET Award, created by Les Enfants Terribles, offers an emerging theatre company the opportunity to take their exciting, risk-taking piece of theatre to The Pleasance for the Edinburgh Festival Fringe 2020.

Not only the LET Award, but on the same evening will be decided the winner of the Greenwich Partnership Award (in collaboration with Greenwich Theatre) meaning there are two awards up for grabs!

The Showcase features the shortlisted companies performing 10 minute extracts from their shows, with judging of the Awards taking place live. Come and witness exciting emerging talent at what may be a pivotal point in their stories.


Continuing

Dani is 17. She’s on the internet (of course), looking to meet someone honest and direct. What she finds is a man twice her age who thinks she’s an 11-year-old boy.

– I’m sorry I’m not the freak show you expected.
– We’re on the same side of the bars I think.

This is the first major revival of THE SUGAR SYNDROME, the debut play from Lucy Prebble (A Very Expensive Poison, The Effect and ENRON): a devastatingly and disturbingly funny exploration of an unlikely friendship, our desire to connect, and the limits of empathy. Running at the Orange Tree, Richmond until February 22.


With timing that improves for every outing of this show, Sam Steiner’s YOU STUPID DARKNESS! is about the struggle for optimism and community amid the chaos of a collapsing world.

Everything’s been falling apart for a while now. In a cramped, crumbling office four volunteers spend a few hours every Tuesday night on the phone to strangers telling them everything is going to be OK. As the outside world disintegrates around them, Frances, Joey, Angie and Jon teeter on the edge of their own personal catastrophes. Their hopes and fears become entangled as they try, desperately, to connect with the callers and with each other. Playing at Southwark Playhouse from January 16 to February 22.


Until 8 February, the Omnibus Theatre in Clapham presents the World Premiere of THE GLASS WILL SHATTER by Joe Marsh.

Rebecca still has nightmares about Amina and the unnerving events that unfolded in her classroom. Or is it Amina that still has nightmares? Years later, one of them decides – it’s time to meet, again.

Through a series of gripping flashbacks to the school where Amina learned and Rebecca taught, an irreversible sequence of choices lead to an unexpected end, changing the course of both of their lives.

Thrilling and powerful, THE GLASS WILL SHATTER interrogates faith, belonging and polarisation within the school system – and the consequences of Prevent Policy on the quality of education in the UK today.

Althea Theatre is an award-winning international ensemble made of British and non-British actors and theatre makers based in London, exploring and addressing societal issues from both national and international viewpoints.


VAULT Festival

The VAULT FESTIVAL 2020 is on now and runs until 22 March. London’s largest and most interesting festival of upcoming work and rising artists, it’s like having all the fun of going to the Edinburgh Fringe but without the pricey travel and accommodation. Established in 2014 by Tim Wilson, Mat Burtcher and Andy George, it has rapidly grown to be an integral part of London’s winter scene. Last year 80,000 people enjoyed over 420 performances, which is why this is a festival with something for everyone.


If you’re looking for a fluffy, light musical confection then float along to the Menier Chocolate Factory where THE BOY FRIEND, Sandy Wilson’s all-singing all-dancing love letter to 1920s musical comedies has its first major London revival in over 10 years.  Set in Madame Dubonnet’s finishing school in the south of France, the school’s perfect young ladies burst into song at the drop of a cloche hat, and forbidden boy friends are forever popping through the French windows to gaily sing and dance with them. Since its premiere in 1953, it has become one of the most beloved British musicals of all time.

The production sees Matthew White renew his collaboration with the Menier – where he previously directed SHE LOVES ME, CANDIDE, and SWEET CHARITY. Reuniting Olivier- winning choreographer Bill Deamer with White from their stunning Olivier Award-winning TOP HAT, this will be a treat – you can check your cares at the door and just relax. Enjoy! The show runs to 7 March.


Touring the UK

Anyone who loves the Latin crossover music of Gloria Estefan will enjoy ON YOUR FEET! It has had mixed but mostly positive reviews, unanimous in the musical content of the show. It looks good and sounds just great, with a brilliant band (worth the price of admission alone) who never let the energy flag.

Featuring 26 hits, this Tony Award nominated show ran on Broadway for two years, for over 750 performances. ON YOUR FEET! is the inspiring true love story of Emilio and Gloria Estefan and charts their journey from Cuba to the streets of Miami and finally to international superstardom. Featuring some of the most iconic pop songs of the era, including “Rhythm is Gonna Get You”, “Conga”, “Get On Your Feet”, “Don’t Want To Lose You Now” and “1-2-3” and many more.

ON YOUR FEET! is directed by two-time Tony Award® winner Jerry Mitchell (Kinky Boots, Legally Blonde), with choreography by Olivier Award-winner Sergio Trujillo (Jersey Boys) and book by Academy Award® winner Alexander Dinelaris (Birdman). See it in February at Cheltenham, Milton Keynes, Liverpool and Wimbledon.

Read my ***.5 review of the show here


NT Live Broadcasts

February brings more encore screenings of several NTLive broadcasts to screens around the UK and further afield. You can still enjoy Andrew Scott in Noel Coward’s PRESENT LAUGHTER, the comedy hit ONE MAN, TWO GUVNORS with James Corden, and FLEABAG, HANSARD and SMALL ISLAND also appear in selected encore screenings.

To find screenings in your area, check out the schedule of NT Live website, details here.


January’s Top Shows

HAPPY NEW YEAR!

Welcome to January’s show highlights. Here are my picks of the most interesting shows that you can find around London and the UK.

Off-West End

Opening

There’s little point in telling you about SpitLip’s hilarious, ingenious and melodious musical comedy OPERATION MINCEMEAT. That’s because its next run (from 4 to 11 January) has completely sold out. HOWEVER, the good news is that they have already scheduled a further run for 14-23 May at the same venue, and you can buy tickets now! I’m going again – and I promise you that I don’t revisit anything but the best.

The year is 1943 and the Brits are losing World War Two. Luckily, they’re about to gamble all our futures on a stolen corpse. Have the counter-intelligence services gone too far this time?

OPERATION MINCEMEAT is Singin’ in the Rain meets Strangers on a Train, Noel Fielding meets Noel Coward. Savour the fast-paced, hilarious and unbelievable true story of the twisted secret mission that won us World War II. The question is, how did a well-dressed corpse wrong-foot Hitler?

OPERATION MINCEMEAT has been nominated for ‘Best Ensemble in a New Production of a Play or Musical’ at the Broadway World Awards 2019 and for five Off West End Awards including Best New Musical, Best Company Ensemble, Best Set Design, Best Musical Director and Best Sound Design. The team also recently took home the prestigious Stage Debut Award for “Best Composer/Lyricist.”

May I just remind you all that I did say back last June that this had the potential to become a cult hit?….

Read my **** review of OPERATION MINCEMEAT here


RAGS THE MUSICAL plays from 9th January to 8th February at the Park Theatre in Finsbury Park.

Set in New York in 1910, with a score celebrating the multicultural music of opportunity, optimism and hope which was filling the streets then, RAGS The Musical tells the heart-warming and powerful tale of a group of Jewish immigrants as they arrive to start a new life in America. Carolyn Maitland (Ghost UK Tour) stars as Rebecca, leading UK musical theatre star Dave Willetts plays Avram and Sam Attwater (EastEnders, Dancing on Ice) will star as Bronfman.

With a ravishing score by the songwriters of Wicked and Annie and the book-writer of Fiddler on the Roof, this is a sweeping saga of America’s immigrant past.

This is a transfer of the UK premiere of this eagerly anticipated new version which premiered at Manchester’s Hope Mill Theatre in February 2019 to much acclaim, produced by the prolific Katy Lipson and directed by Bronagh Lagan (Little Women, Putting It Together, Promises, Promises).


THE LONDON INTERNATIONAL MIME FESTIVAL brings a range of exciting shows to the capital, three of which have made it into my recommended list for January.

First, at Soho Theatre, Trygve Wakenshaw presents the world premiere of his show ONLY BONES v.1.4 from 7 to 25 January at the Soho Theatre.

‘Make a show with No story, No language, No set, No props, and only ONE light’.

Rubber-limbed Trygve Wakenshaw (seen previously at Soho with his very funny show A DIFFERENT PARTY) takes on the challenge set by fellow New Zealander, Thomas Monckton, creator of the original Only Bones (v1.0) described by The Times at LIMF17 as ‘spare but not slight… painfully hilarious’.

Trygve Wakenshaw’s Only Bones v1.4 raises a finger, as well as most other limbs, to the rule books and the people that write them. This is a hilarious new minimalist extravaganza. This is micro-physical comedy unlike anything you’ve seen (unless you’ve seen Thomas Monckton’s Only Bones v1.0)


Secondly, at Wilton’s Music Hall from January 14 to 18, ever-interesting company Told By An Idiot present an intriguing show about two of the world’s greatest comedians. THE STRANGE TALE OF CHARLIE CHAPLIN AND STAN LAUREL

In 1910 the unknown Charlie Chaplin and Stan Laurel set sail for New York as part of Fred Karno’s famous music hall troupe. On this journey, Charlie and Stan shared a cabin and then spent two years together touring North America, with Stan as Charlie’s understudy. Stan returned home, later finding success with his soulmate Oliver Hardy. Charlie developed his Little Tramp character and within five years became one of the most famous figures in the world.   

In Charlie Chaplin’s highly detailed autobiography Stan Laurel is never mentioned. Stan talked about Charlie all his life. 

Playing fast and loose with the facts and with an original piano score composed by Mercury Award Nominee Zoe Rahman played live each night, this is no nostalgic bio-drama, but a hilarious and deeply moving homage to two men who changed the world of comedy forever. 

Touring the UK after this date, the venues can be found at Told By An Idiot’s website here


And thirdly, at The Barbican Centre from January 29 to February 1, renowned company Kiss and Cry present COLD BLOOD

Dancing hands star in elaborate miniature sets, the action filmed live to become epic as it fills a huge screen.

In this wonderfully whimsical production, the story of seven surprising deaths takes the audience into an array of scenarios that touch on the fleeting fragility of life. Watch as performers and crew conjure visuals onstage or simply succumb to the beautifully detailed kaleidoscopic vistas appearing on film. From the razzmatazz of a Fred and Ginger-style dance number to a floating figure in outer space, from a ravaged war-torn cityscape to the recreation of an iconic Boléro ballet.

Set to music including Ravel, David Bowie and Janis Joplin, COLD BLOOD brings together intricate hand choreography, tiny props, live cinema and a witty script. From Jaco Van Dormael and Michèle Anne De Mey – who co-directed Kiss & Cry here to much acclaim in 2017.


At The Bunker, a timely drama, THE PROCESS , runs from 11th January to 1st February.

Jo’s winning at life. Her business is going brilliantly. She’s Cost Positive. She’s even on the telly. She’s a Deaf woman turning the hearing world on its head. Until the system turns on her.

A malevolent bureaucracy, the rise of alt-right politics, and the human lives caught in the middle all ask: what happens if you believe ‘it’ll never happen to me’?

THE PROCESS is told in BSL and spoken English, and every show will be performed in a relaxed environment.


Dani is 17. She’s on the internet (of course), looking to meet someone honest and direct. What she finds is a man twice her age who thinks she’s an 11-year-old boy.

– I’m sorry I’m not the freak show you expected.
– We’re on the same side of the bars I think.

This is the first major revival of THE SUGAR SYNDROME, the debut play from Lucy Prebble (A Very Expensive Poison, The Effect and ENRON): a devastatingly and disturbingly funny exploration of an unlikely friendship, our desire to connect, and the limits of empathy. Running at the Orange Tree, Richmond from January 24 to February 22.


At Theatre503, THE EDIT plays from January 7 to 11.

Five years ago Nick and Elena fell in love. Two years ago they fell out of it. They haven’t seen each other since. Until now.

It’s that meet up. The first time seeing the ex since the breakup. Something almost all of us have suffered through, whether or not by choice. Unfolding in real time, Nick and Elena try and work out where they went wrong so that they can both move on with their lives. The only question is whether they will do so together, or separately. After all, every love story deserves a second chance. Doesn’t it? Together they were glorious. Together they were a disaster. It just depends on how you see it.

Tender and funny, THE EDIT tests the limits of love, forgiveness and self-preservation. This is the London premiere of Sarah Gordon’s debut play following a UK tour last summer.


With timing that improves for every outing of this show, Sam Steiner’s YOU STUPID DARKNESS! is about the struggle for optimism and community amid the chaos of a collapsing world.

Everything’s been falling apart for a while now. In a cramped, crumbling office four volunteers spend a few hours every Tuesday night on the phone to strangers telling them everything is going to be OK. As the outside world disintegrates around them, Frances, Joey, Angie and Jon teeter on the edge of their own personal catastrophes. Their hopes and fears become entangled as they try, desperately, to connect with the callers and with each other. Playing at Southwark Playhouse from January 16 to February 22.


At the Tristan Bates Theatre from January 20-22, BROKEN ENGLISH is an intriguing-sounding show written by Emerging Artist award winner Jahmar Ngozi. BROKEN ENGLISH is a contemporary depiction of the journey of the English language using performance poetry, physical theatre and traditional drama to tell an original and engaging story. The show sets out to explore the dexterity of English as a form of culture as well as communication in a celebration of cultural diversity and creativity.


From 21 January to 8 February, the Omnibus Theatre in Clapham presents the World Premiere of THE GLASS WILL SHATTER by Joe Marsh.

Rebecca still has nightmares about Amina and the unnerving events that unfolded in her classroom. Or is it Amina that still has nightmares? Years later, one of them decides – it’s time to meet, again.

Through a series of gripping flashbacks to the school where Amina learned and Rebecca taught, an irreversible sequence of choices lead to an unexpected end, changing the course of both of their lives.

Thrilling and powerful, THE GLASS WILL SHATTER interrogates faith, belonging and polarisation within the school system – and the consequences of Prevent Policy on the quality of education in the UK today.

Althea Theatre is an award-winning international ensemble made of British and non-British actors and theatre makers based in London, exploring and addressing societal issues from both national and international viewpoints.


Lucy Kirkwood’s (Mosquitoes, Chimerica) new play THE WELKIN comes to the National Theatre from 15 January, directed by David Macdonald and starring Maxine Peake.

Rural Suffolk, 1759. As the country waits for Halley’s comet, Sally Poppy is sentenced to hang for a heinous murder. When she claims to be pregnant, a jury of 12 matrons are taken from their housework to decide whether she’s telling the truth, or simply trying to escape the noose.

With only midwife Lizzy Luke prepared to defend the girl, and a mob baying for blood outside, the matrons wrestle with their new authority, and the devil in their midst.


An interesting pair of shows played in repertory come to the Old Red Lion pub theatre from 7th January to 1st February. Both penned by (and featuring) Rosalind Blessed, LULLABIES FOR THE LOST and THE DELIGHTS OF DOGS AND THE PROBLEMS OF PEOPLE. LULLABIES looks at the struggles of modern mental health, exploring depression, social anxiety, childlessness, miscarriage, hoarding and eating disorders whilst remaining full of humour, understanding and ultimately hope. DELIGHTS looks at love gone wrong through the lens of a disintegrating relationship, when trying to identify hero and villain is not as easy as it may first seem.


VAULT Festival

The VAULT FESTIVAL 2020 starts on 28 January and runs until 22 March. London’s largest and most interesting festival of upcoming work and rising artists, it’s like having all the fun of going to the Edinburgh Fringe but without the pricey travel and accommodation. Established in 2014 by Tim Wilson, Mat Burtcher and Andy George, it has rapidly grown to be an integral part of London’s winter scene. Last year 80,000 people enjoyed over 420 performances, which is why this is a festival with something for everyone.


Off West End – Last Chance

ENDING JANUARY 4th The perfect New Year theatre treat for adults is at the new Boulevard Theatre. GHOST QUARTET is a dizzying, intoxicating musical of love, loss and spirits – of both the spectral and alcoholic kind. Three-time Tony Award-nominee Dave Malloy’s hauntingly beautiful song cycle is a story about stories themselves; how we tell them, how we hear them, and how they evolve, intertwine and draw us in. With a standout cast including Carly Bawden and Zubin Varla this is a must-see show, especially after the triumph of Malloy’s other show, the excellent PRELUDES which played at Southwark Playhouse in October.

But back to GHOST QUARTET. Rose has a problem. She’s been betrayed by her lover, a local tree-dwelling astronomer, with her very own sister. Rose seeks vengeance and a passing bear might just offer the answer. But his services come at a price: a pot of honey, one piece of stardust, a secret baptism – and a photo of a ghost.

A kaleidoscopic journey spanning continents, centuries and the cosmos ensues. But even through the fogs of time and a haze of whiskey, Rose can’t shake the feeling that she’s done this all before…

Dave Malloy is the writer of the Broadway smash-hit Natasha, Pierre & The Great Comet of 1812. GHOST QUARTET runs until January 4th. Sit back and enjoy….

Read my **** review of GHOST QUARTET here


ENDING JANUARY 5th CIRCUS 1903 is an utterly delightful throwback to the glory days of the circus when skilled and brave artists risked life and limb to bring us thrills as they spun high in the air, juggled with impossible numbers of clubs, contorted themselves into unbelievable shapes and generally made the near-impossible happen right before our eyes.

Held together by a very accomplished ringmaster who has the showman’s gift of a pinch of cynicism and a pound of heart, he marshals the interludes between the acts with audience participation from some of the smaller audience members, who are all as delighted and excited as the older kids in the room. The icing on the cake is the appearance of the life-size elephant puppets from the people who brought us WAR HORSE, who once again make us believe totally in the grace and personality of these brilliantly brought to life creations.

This is a terrific show for all the family which lets you remember what it was like to be a kid and sit in wonder. Well worth a trip!

ENDING JANUARY 11th Jermyn Street Theatre’s ONE MILLION TINY PLAYS ABOUT BRITAIN by Craig Taylor ends soon.

“You remember every packet of crisps you’ve eaten, then?”

A couple peer into an estate agent’s window; two sports fans have a heart-to-heart in the loo; a daughter has questions about her mother’s love life; and as a father helps his son tie his football boots, he realises they are growing apart. If you keep your eyes and ears open, there are a million tiny plays happening every day.

Originally published in The Guardian, this collage of scenes now form a hugely entertaining and addictive evening in the theatre. It will change the way you listen to the world around you, and train journeys will never be the same again.

ENDING JANUARY 18th The ever-reliable Orange Tree in Richmond caps a remarkable year of must-see shows with Paul Miller’s perceptive and human revival of Bernard Shaw’s play CANDIDA. If you enjoy well-crafted drama expertly presented, this is a real theatre treat.

Eugene believes in love, free-thinking and liberation: James in social justice for all and conventional married life for himself. Candida believes in her own strength and her right to run her life as she wants.

A young man with the soul of a poet clashes with a popular Socialist preacher and threatens his domestic happiness. Only Candida can decide who is the stronger – and who’s to be the winner.

With a superb cast, spare but effective design and Miller’s warm and bright direction, CANDIDA is unmissable. It plays at the Orange Tree, extended until January 18th.

Read my **** review of CANDIDA here


ENDING JANUARY 18th At the Bush Theatre is I WANNA BE YOURS

Ella is from Yorkshire. Haseeb is from London. They order a pizza. House red for Ella. Hot chocolate for Haseeb.

I think I’m falling in love with you.’

People and playlists. Christmas and Eid. Travelcards and Megabuses. London to Leeds. Love is more than just a game for two. Especially when there’s an elephant in the room.

A tender, funny, lyrical play about finding love and holding onto it with everything you’ve got, I WANNA BE YOURS is the debut play from Zia Ahmed. The show is fully BSL integrated.

Read my **** review of I WANNA BE YOURS here


ENDING JANUARY 18th A World Premiere written and directed by Olivier Award-winning director Bijan Sheibani (Barber Shop Chronicles, The Brothers Size), THE ARRIVAL plays the Bush Theatre.

“I’ve spent so much of my life wondering…passing people on the street… and now, yeah… you’re here”.

When Tom and Samad meet for the first time, they are stunned by the similarities they share. In spite of Tom’s adoption and all the years spent apart, the two brothers are joined by an undeniable biological bond.

But as they become closer and their lives entangle, they realise that finding each other comes at a price. THE ARRIVAL is a taut family drama about obsession, betrayal and the human need to belong.


ENDING JANUARY 19th For young theatregoers aged 3 or over, the perfect treat is a tiger. Not just any old tiger, though. THE TIGER WHO CAME TO TEA is an hour’s worth of jolly fun, song and dance with all the characters from Judith Kerr’s much-loved book transferred to the stage through the skilled pen of master storyteller David Wood. As an adult, I loved seeing and hearing the children’s reactions to the story and almost felt like a kid myself again. Heck, I even joined in the Tiger Dance! If you haven’t seen it, go; and if you have seen it, find some kids to take again! The Olivier Award-nominated show plays daytimes until January 19th at the Theatre Royal Haymarket in the West End.


ENDING JANUARY 23rd FAIRVIEW by Jackie Sibblies Drury won both the 2019 Pulitzer Prize for Drama and the Susan Smith Blackburn Prize for female playwrights.

It’s Grandma’s birthday and the Frasier family have gathered to celebrate. Beverly just wants everything to run smoothly, but Tyrone has missed his flight, Keisha is freaking out about college and Grandma has locked herself in the bathroom. But what else is wrong with this picture?…..

An interrogation of our subtly destructive preconceptions,  FAIRVIEW plays at the Young Vic an extended season to 23 January following a sell-out run in New York.

Read my ****1/2 review of FAIRVIEW here


ENDING FEBRUARY 1st C’est Magnifique! Achieving the near-impossible task of translating a unique French movie to the stage, and doing so in some style, this AMELIE will bring a smile to your lips and warmth to your heart, as we follow our heroine helping others but finding it hardest to help herself. With a tuneful score and dynamic Audrey Brisson as Amelie, this is your passport to joie de vivre. Playing a season at The Other Palace Theatre in London to February 1st.

Read my **** review of AMELIE here


Continuing

If you’re looking for a fluffy, light musical confection then float along to the Menier Chocolate Factory where THE BOY FRIEND, Sandy Wilson’s all-singing all-dancing love letter to 1920s musical comedies has its first major London revival in over 10 years.  Set in Madame Dubonnet’s finishing school in the south of France, the school’s perfect young ladies burst into song at the drop of a cloche hat, and forbidden boy friends are forever popping through the French windows to gaily sing and dance with them. Since its premiere in 1953, it has become one of the most beloved British musicals of all time.

The production sees Matthew White renew his collaboration with the Menier – where he previously directed SHE LOVES ME, CANDIDE, and SWEET CHARITY. Reuniting Olivier- winning choreographer Bill Deamer with White from their stunning Olivier Award-winning TOP HAT, this will be a treat – you can check your cares at the door and just relax. Enjoy! The show runs to 7 March.


Outside London

Northampton/ Salisbury

Positively laden with glowing five- and four- star reviews, Jerry Herman’s classic musical MAME is back- and how! When young Patrick goes to stay with his Auntie Mame, he walks into a fast-living world of fun and and joy. It will be a real treat to see two-time Olivier-winner Tracie Bennett (Follies) as Mame, with Darren Day and Harriet Thorpe (Absolutely Fabulous) (as Mame’s “old, old, old friend” Vera Charles). Get set for some high-octane musical fun! The celebrated score includes the rousing title number, plus “Open a New Window,” “If He Walked into My Life,” “We Need a Little Christmas,” “Bosom Buddies” and “That’s How Young I Feel.” Good to see that rising star producer Katy Lipson -who has now made so many excellent smaller-scale musicals – is starting to move into the bigger shows. Congratulations to everyone involved! The show visits Northampton from 7-11 January and Salisbury from 21-26 January. Hurry! It’s your last chance!


Touring the UK

Anyone who loves the Latin crossover music of Gloria Estefan will enjoy ON YOUR FEET! It has had mixed but mostly positive reviews, unanimous in the musical content of the show. It looks good and sounds just great, with a brilliant band (worth the price of admission alone) who never let the energy flag.

Featuring 26 hits, this Tony Award nominated show ran on Broadway for two years, for over 750 performances. ON YOUR FEET! is the inspiring true love story of Emilio and Gloria Estefan and charts their journey from Cuba to the streets of Miami and finally to international superstardom. Featuring some of the most iconic pop songs of the era, including “Rhythm is Gonna Get You”, “Conga”, “Get On Your Feet”, “Don’t Want To Lose You Now” and “1-2-3” and many more.

ON YOUR FEET! is directed by two-time Tony Award® winner Jerry Mitchell (Kinky Boots, Legally Blonde), with choreography by Olivier Award-winner Sergio Trujillo (Jersey Boys) and book by Academy Award® winner Alexander Dinelaris (Birdman). See it in January at Canterbury and continuing to tour into May.

Read my ***.5 review of the show here


NT Live Broadcasts

January brings numerous encore screenings of two NTLive broadcasts to screens around the UK and further afield. You can still enjoy Andrew Scott in Noel Coward’s PRESENT LAUGHTER, the comedy hit ONE MAN, TWO GUVNORS with James Corden, and FLEABAG, HANSARD and SMALL ISLAND also appear in selected encore screenings.

To find screenings in your area, check out the schedule of NT Live website, details here.