SAVE Britain’s Heritage annual lecture focuses on demolition of historic buildings only as last resort

SAVE Britain’s Heritage’s 2023 annual lecture will be held at the Royal Academy of Arts in London -and online- on 7th March, in a hybrid event that you can join wherever you are.

Net zero and sustainability specialist Simon Sturgis will use the occasion to call for a revolution in architecture in response to the climate emergency. He will make the compelling case that one of our most effective responses to the crisis is to make demolition of buildings the last resort – not the first.

UNRESTRICTED THEATRE SAYS: This is particularly pertinent to the demolition by stealth that we are currently seeing in historic theatres and cinema buildings across the UK which occupy valuable sites that developers are slavering to get delisted and demolished. There are a number of high-profile sites worth supporting with your interest, including Dudley Hippodrome, the last purpose-built professional theatre in its area which has been actively targeted by the visionless local council; and the State Grays cinema, bought by Wetherspoons and left to rot with a gaping hole in the roof to hasten its decline. We must all work to ensure that greedy developers don’t profit from the loss of our historic built environment by unscrupulous owners who actively work to destroy assets of local community value.

“Architecture is facing its biggest change since the First World War,” Sturgis will say. “Architectural thought has been effectively dormant for the last 90 years and now needs a thought revolution to help solve the climate crisis.”

Simon Sturgis is one of the country’s leading experts in the emerging field of embodied carbon in the built environment. He is managing partner of the consultancy Targeting Zero and an advisor to government, MPs the EU and industry.

Simon was SAVE’s chief sustainability witness at the public inquiry in October last year where we highlighted the massive carbon waste of Marks and Spencer’s plans to demolish their flagship building at Marble Arch.

SAVE’s Marks and Spencer campaign attracted widespread press and public interest because of three key ingredients: a well-loved heritage landmark on Oxford Street; a household name; and the potentially far-reaching consequences this case could have for construction and development.

It is the first time carbon and heritage have both been at the heart of a public inquiry in the UK. With the Secretary of State’s decision expected by early May, it is being widely viewed as a landmark case.

The built environment is responsible for about 40% of global carbon emissions – more than any other sector – which means cutting development’s emissions would have a disproportionately positive impact on our carbon footprint.

This presents us with an urgent obligation to change the way we do development, Simon will argue. Even the “greenest” new-build proposal – which just five years ago would have been welcome – is now arguably an obstacle to the UK’s progress towards its legally binding commitment to be net zero by 2050.

As a result, the retrofit and reuse of existing buildings must become the starting point of any development brief. As architect Carl Elefante’s mantra has it, “the greenest building is the one that already exists”.

The SAVE annual lecture, Architecture and Climate Crisis: How the past can save the future will be held on 7th March in the stunning David Chipperfield-designed Benjamin West Lecture Theatre at the Royal Academy’s Burlington Gardens building – itself a great example of a retrofit which gave a historic building a viable new future.

It is a hybrid event and tickets to watch online are also available.

Find more information, and book tickets (from £5), here


Enjoy The Birth of Modern Theatreland: Covent Garden and the Two Theatres Royal – a lecture by Professor Simon Thurley

The excellent talks given throughout the year by Gresham College’s invited speakers are always worth seeing. Occasionally, theatre and arts-related talks come up, and I am happy to recommend them to you.

Here is a recent talk given by Professor Simon Thurley about the early incarnations of theatre in London in an area we today call Theatreland.

In this, the second lecture in the series Buildings in the West End of London, Professor Thurley looks at the significance and impact of these three great institutions on the development of London.

The talk lasts 51 minutes and is free to view whenever you have time.

Watch the talk by clicking on the image below or open in a new window here


Remembering Anthony Field CBE

This day in 2014 the world lost one of its most passionate advocates for the arts when Professor Anthony Field CBE, passed away.

It is strangely fitting that someone so important to the arts world, a high-level accountant, should have passed away at the end of the tax year. But this was just one of the very neat things about this most precise and orderly of men, but with a deep creative and artistic seam that ran through him as “Blackpool” runs through a stick of rock.

Starting out as an idealistic young actor (and auditioning for Gielgud), he gravitated towards accountancy as a steadier way to keep himself fed and housed while figuring out the theatrical world. He was one of the figures who creatively helped to dismantle stage censorship in the 1950s. He was Finance Director of the Arts Council of Great Britain from 1957-1984, overseeing a budget which increased one hundredfold in that time. He was passionate about all branches of the arts. He, and his untiring support, is the reason so many UK regional theatres survived the bulldozer to still serve their communities today.

His many achievements are too numerous to mention here, except that alongside maintaining the arts, his other passion was education, supporting new young producers and managers, creating the very first Arts Management courses himself in the 1960s. A young producer starting out would always find Tony’s office door open for some advice, support and encouragement.

So many of today’s top producers, arts executives and managers were encouraged and inspired by Tony, that its hard to imagine anyone who hadn’t benefitted from having known him. As one of the producers who helped us prepare his entry in the Olivier Awards 2014 “In Memoriam” tribute at the Royal Opera House said to me, “I never met him but it sounds like I owe him a lot”.

After The Arts Council, he , in his friend and colleague Richard Pilbrow’s own words, “saved” one of the world’s most respected arts consultancies, Theatre Projects, from collapse, securing its continued existence and growth.

Those of us who worked with him at Anthony Field Associates, my colleagues John Causebrook and Darren Black, were amazed but somehow not surprised that he maintained his routine of coming into the office daily, keeping a number of appointments, and producing enlightened and informative article for various journals, right up to the end.

We all miss him just as much today as we did on April 6, 2014.

Thanks to technology, we can enjoy a lecture of his from 2012, when he was invited to give the closing lecture in the LONDON THEATRE series by Gresham College. Entitled THE FUTURE OF LONDON THEATRE, it contains some of his most important ideas and themes. As always with his lectures, it was amusing, enlightening, warm and passionate. Watch it now and you can sense the decades of experience woven into these words.

Watch the lecture here.

Thank You, Tony, for everything.


Immersive entertainment started when? 2010? 1990?Try 1793……

What was Panoramania? Find out how London pioneered immersive entertainment, and how it became the world panorama capital in an online talk given via the City of Westminster Libraries & Archives on Friday 17 September at 6.30pm BST.

Join Professor Ian Christie, an excellent and well-read speaker, to explore Panoramania!

When Robert Barker’s Panorama opened on the corner of Leicester Square in 1793, it launched a vogue for immersive spectacle that would spread around the world, boosted by Louis Daguerre’s Diorama, which arrived in London from Paris in 1823.

But despite having boasted more ‘new media’ displays than any other city throughout the 19th century, the history of London’s love affair with visual novelty remained little known before Ralph Hyde’s landmark Barbican exhibition Panoramania! in 1988.

The only surviving records are playbills and prints, such as those held by Westminster Archives Centre and the British Library. And now, thanks to digitization and online access, it’s increasingly possible to reimagine the immersive splendours that entranced fashionable London and its international visitors.

Professor Ian Christie

Ian Christie is Professor of Film and Media History at Birkbeck College, and has long been fascinated by these anticipations of cinematic spectacle. He is also an excellent, authoritative and engaging speaker. (For those interested, he has also recently published an excellent and highly-detailed appreciation of film pioneer Robert W Paul which reasserts his major place in film history)

And if this illustrated talk whets your appetite, you can view Professor Christie’s Gresham College lecture further exploring some of these media here and find out more about him you can visit www.ianchristie.org and https://paulsanimatographworks.wordpress.com

How to join the event

All those who book will receive the link to join via email 48hrs before the event, and on the day of the event.

The talk will be 40 – 50 minutes long, followed by a Q & A. You will have the opportunity to submit questions in writing via the Q & A live chat. You won’t need a camera or microphone for this talk, as audience members won’t be seen or heard.

For a taste of a moving panorama, watch this video – the Grand Panorama of London – for an historic trip down the river Thames circa 1844 -1850.

This colossal 18 foot concertina-folded panorama in the Westminster archives collection covers a stretch running from Western Stone Wharf to Deptford Dockyard.

Book tickets for the talk here