IN BRIEF Searing anti-war play’s outrage retains its power in a solid production
What could be more idyllic? An
English country garden on a warm Autumn afternoon with apples dropping from the
trees around, tea on the terrace with friends and family. So what’s wrong with
this picture? In Somerset Maugham’s searing and furious 1932 anti-war play, it
is the people.
One family and their acquaintances try to cope with the devastation of their lives and dislocated social mores – the complex, bitter legacies that World War One has created.
Himself a Red Cross medical officer from 1916, this is Maugham’s heartfelt tribute to those millions who enlisted with patriotism in their hearts, little thinking that their country’s “undying gratitude” would have such a terrifyingly short expiry date. As the title suggests, their heroism was shamefully reduced to the level of a simple transaction by inept governments.
These forgotten men of World War One, discharged without proper support or rehabilitation – “shattered” men, who were sacrificed to maintain England’s cosy self-image, now shattered itself. The hypocrisy and denial in the treatment of those who risked everything for their country, later being criminalised for a simple lack of support is shocking even today.
FOR SERVICES RENDERED concerns three sisters’ attempts to make a future in a time when a whole generation of young men were crippled or, simply, missing. Maugham’s play shows that war’s scars are often invisible but no less life-changing. Eva, who lost her loved one in the War, leading an emaciated life, slides slowly into despair and madness. Ethel, who married a hard-drinking tenant-farmer, is resigned to her lot, acknowledging that breaking class barriers as she did has had its consequences for them both. Bored young Lois, much younger than the other two, has learnt from their sorry outcomes and is determined to grab life despite the costs to those around her, savouring the power of flirting with an infatuated married man at the expense of his wife. A suicide sets off a chain of events causing what remains of the genteel facades to disintegrate before us.
The three ex-servicemen – one blinded in the war, one a farmer, the other a garage owner, are ill-suited to a civilian life and this takes its toll upon them all as they fight their own internal wars.
The older generation do not get off lightly, either, from the stoic Mother whose imminent death appeals as a release (“I’m pre-War”), to the blithely unaware Father, ironically broadcasting his own utterly blind reading of the family situation in a smug coda; and to the infatuated visitor who can afford hundreds for a pretty girl’s necklace but not to help a struggling ex-serviceman survive.
The final moments, as the National Anthem is sung as a sombre, empty gesture, are deeply chilling and unsettling. No wonder, I suppose, that contemporary audiences shunned it and it closed after just 78 performances.
Tom Littler’s intelligent production works well to illustrate the inequalities of the time. Rachel Pickup conveys Eva’s fragility and decline in a quiet, sincere manner. Diane Fletcher acutely shows us the dignified but tested Mother, “out of time” with herself and the world. The detailed sound design by Yvonne Gilbert works very well too. In all, a very worthwhile revival.
FOR SERVICES RENDERED plays at Jermyn Street Theatre until 5 October. Details and tickets here
Welcome to October’s show highlights. Here are my picks of the most interesting shows that you can find around London and the UK.
Off-West End
Opening
From October 24th, the new Boulevard Theatre’s opening production is GHOST QUARTET, an intoxicating musical of love, loss and spirits – of both the spectral and alcoholic kind. Three-time Tony Award-nominee Dave Malloy’s hauntingly beautiful song cycle is a story about stories themselves; how we tell them, how we hear them, and how they evolve, intertwine and draw us in. With an intriguing cast including Carly Bawden and Zubin Varla this looks set to be a highlight, especially after Malloy’s other successful show, the excellent PRELUDES which is playing at Southwark Playhouse until October 12th (see below).
But back to GHOST QUARTET. Rose has a problem. She’s been betrayed by her lover, a local tree-dwelling astronomer, with her very own sister. Rose seeks vengeance and a passing bear might just offer the answer. But his services come at a price: a pot of honey, one piece of stardust, a secret baptism – and a photo of a ghost.
A kaleidoscopic journey spanning continents, centuries and the cosmos ensues. But even through the fogs of time and a haze of whiskey, Rose can’t shake the feeling that she’s done this all before…
Dave Malloy is the writer of the Broadway smash-hit Natasha, Pierre & The Great Comet of 1812.
BERYL Discover the inspiring story of Beryl Burton, the greatest woman on two wheels, in this revival of the 2014 trailblazing tale from writer Maxine Peake.
Beryl Burton MBE, OBE – twice World Road-race Champion, five times World Pursuit Champion – was never meant to cycle. In childhood, a serious illness left her with a weakened heart; doctors warned against strenuous exercise for the rest of her life. Yet, at 30, branded ‘the Yorkshire housewife’ and with no financial sponsorship, she became the first sportswoman in history to break a men’s competitive record.
Featuring a host of unforgettable characters and a great big dollop of Northern wit, Peake’s freewheeling play is the extraordinary true story of a woman who pushed at the limits, took on the status quo – and won. Playing at Arcola from 16 October to 16 November.
BABY REINDEER was one of the hits of this year’s Edinburgh Festival. When Edinburgh Comedy Award Winner Richard Gadd (Monkey See Monkey Do) offers a free cup of tea to a stranger, what appears to be a trivial interaction has ramifications far wider than he could ever have imagined.
This is a gripping debut play and chilling personal narrative exploring obsession, delusion, and the aftermath of a chance encounter. Directed by Olivier Award Winner Jon Brittain (Rotterdam), the show plays the Bush Theatre from 9 October to 9 November.
Bertrand Lesca and Nasi Voutsas are the internationally-acclaimed theatre makers behind EUROHOUSE and the award-winning PALMYRA. Their stripped-back shows play with humour, brutality and the impressive ability to flip between the two
Bert and Nasi return with a show entitled ONE. Locked in a deadpan double-act and a polarised world, they are both looking for a way to be together. But they get distracted by squabbles, insults, tap-dancing and one-upmanship. How will it end? You decide.
ONE plays at the Battersea Arts Centre until October 19th
The Finborough Theatre continues its interesting finds from America with the European debut of hit Off-Broadway play THE NICETIES by Eleanor Burgess which runs from 1 to 26 October.
“There is one appropriate way of responding to a woman of color who says, I have an idea to assert, and that is to shut up and listen”
America. 2016. Within the stately office of an elite university two women united by their vision for the future, but divided on how to get there, meet to review a history paper that asks one big question: has America reached the moment for its real, radical, revolution?
When a clash of ideas becomes a complicated discussion about race, the niceties begin to wear thin and one woman is forced to put everything on the line in order to make her case.
As their private dispute explodes into a public war, the devastating consequences of their good intentions are laid bare, as both student and professor ask: Have we left it too late to repair our divided society?
Highly-praised at this year’s Edinburgh Festival, here’s a quick London season for haunting musical ISLANDER, playing at Southwark Playhouse from 2 to 26 October.
Eilidh stares out to sea and dreams of a new life beyond her lonely island. Myth and reality collide when the tide washes a mysterious stranger onto her beach, changing her life forever. Epic storytelling, intimately staged with a contemporary Scottish folk-inspired score.
The two-hander cast of Kirsty Findlay (Olivier Award Nominated, Our Ladies of Perpetual Succour) and Bethany Tennick perform a whole host of characters, while weaving, building and layering their voices using looping technology to create an expansive, ethereal soundscape for the ears and imagination.
Okay listen up, you have seventy-five years to be all you can be!
LITTLE BABY JESUS, a 2011 work by writer/performer Arinzé Kene, introduces three characters. Joanne is dipped in rudeness, rolled in attitude and is fighting to keep her life afloat. Sensitive and mature he may be, yet Kehinde struggles with an obsession for mixed race girls as he eyes his place on the social ladder. Rugrat, class clown and playground loudmouth, just wants to make it past GCSEs and keep their name on the tip of your tongue.
As their lives collide and intertwine, three extraordinary young people relay the moments they ‘grew up’. Three remarkable stories. Three incredible journeys.
Directed by Tristan Fynn-Aiduenu, winner of the JMK Award 2019, LITTLE BABY JESUS runs at the Orange Tree Theatre from 18 October to 16 November.
Playing to 19 October at the Greenwich Theatre, BROOKLYN THE MUSICAL was seen in New York in 2004 and now receives its European Premiere, starring Hiba Elchikhe (who was so good in FIVER at the Southwark Playhouse a few months ago) and John Addison (from the West End production of SCHOOL OF ROCK). The show also features Andrew Patrick-Walker (Bat Out of Hell), Sabrina Aloueche (We Will Rock You) and Emily-Mae (The Producers). The cast alone make it worth a look, but as yet I haven’t heard the score.
BROOKLYN THE MUSICALis a story within a story. A band of soulful street singers who meet up to share stories from their lives, and their story tonight: a young Parisian coming to America to search for fame and the father she never knew and the journey she embarks upon to find the soul of the city that bears her name.
Featuring a wide range of rock, pop and soul, these stories interweave to create an inspiring and touching musical that celebrates the energy and spirit of New York City.
Praised as “one of the freshest voices in American theatre” by the New York Times, Pulitzer Prize-winner Annie Baker returns to the National Theatre (following acclaimed runs of her mesmerising shows The Flick and John) with her latest extraordinary play THE ANTIPODES. Their phones switched off, a group of people sit around a table telling, categorising and theorising stories. This is a world that is both familiar and fantastical. Their real purpose is never quite clear, but they continue on, searching for the monstrous. THE ANTIPODES asks what value stories have for a world in crisis. Playing at the National Theatre from 21 October to 23 November.
We just haven’t had enough shows about sperm recently. So here, from the folk who brought you the sell-out comedy hit Planet Earth III, PRIVATES: A Sperm Odyssey sees Luke Rollason (“amazingly entertaining” Ed Fest Mag), Christian Brighty (“hilarious” List) and Tom Curzon (“charming” Chortle) perform as three sperm on an adventure as big as life itself.
In this new, award-winning show, these plucky Privates must survive basic training, hostile white blood cells and the most dramatic ejaculation sequence ever seen onstage to be the first to fertilise the egg and become a beautiful baby. A very funny, fantastical and very frank look at how we talk about sex, and why. Playing at the Soho Theatre on October 31 to November 2nd.
Sometimes I wake up in the morning and all the missed opportunities of my life stare at me, grind me down until I’m nothing. Nothing but dust.
A new darkly comic, absurdist play by James Mannion, MITES is a sinister exploration of the manipulation that lies beneath relationships, in particular of those who are mentally vulnerable in society.
A lonely woman, abandoned by her husband, lives in an isolated house with her outspoken, anthropomorphic cat, Bartholomew. One day she is visited by Ken, a Pest Controller, who claims to be her ex-husband returned to her. Deceived by his lies and obsessed with memories of the past, the woman accepts Ken into her life, despite the sceptical protestations of Bartholomew. As her self-deception grows and Ken’s true intentions become clear, how will she survive the competitive machinations of her two male companions? And is there more to Bartholomew than meets the eye? MITES plays at the Tristan Bates Theatre from 7 to 26 October.
Off West End – Last Chance
Until October 12thFAITH, HOPE AND CHARITY is an unmissable, quietly devastating look at the dereliction of the UK’s social service through a hugely compassionate lens. In a run-down community hall on the edge of town, a woman has been cooking lunch for those in need. A choir is starting up, run by a volunteer who’s looking for a new beginning. A mother is seeking help in her fight to keep her young daughter from being taken into care. An older man sits silently in the corner, the first to arrive, the last to leave. Outside the rain is falling.
FAITH, HOPE AND CHARITY is the culmination of a trilogy that began with BEYOND CARING – ‘Unforgettable’ (The Times) – and followed by LOVE – ‘the National’s play of the year, and then some’ (Evening Standard). Alexander Zeldin’s new play goes to the heart of our uncertain times. Playing at the National’s Dorfman Theatre from until October 12th.
Until October 12thPRELUDES is mesmerising – a true original. Based on a true story of the composer genius Rachmaninoff’s sessions of hypnotherapy, PRELUDES is an intriguing new musical by three-time Tony Award-nominee Dave Malloy (Natasha, Pierre and the Great Comet of 1812, Ghost Quartet). It examines the crippling debilitation and harm the world can do to people, and how the dramatic and musical process can be used as therapy to restore them back into the fullest of creative lives. PRELUDES runs until October 12th at Southwark Playhouse.
Until October 12thANNA BELLA EEMA “Something is coming. It’s either the interstate or the end of the world”. Precocious child Annabella lives in a deserted trailer park. Schooled by her eccentric mother Irene, she learns to co-exist with the vampires, werewolves and monsters that lurk in the world outside. Desperate to ward off the new highway that threatens the demolition of their home, Annabella steps outside to build a girl out of mud. The girl comes to life. The girl is Anna Bella Eema.
Pulitzer Prize finalist Lisa D’Amour’s (Detroit, National Theatre) part ghost story, part fairytale, part coming-of-age fantasy, ANNA BELLA EEMA plays at the Arcola until October 12th.
Until October 13thTORCH SONG, Harvey Fierstein’s Tony-winning play about the life and loves of a drag artist in 1970s New York runs until October 13th at the Turbine Theatre in Battersea, next to the Power Station. This inaugural production at the venue is directed by Olivier-winner Drew McOnie
Until October 5thFOR SERVICES RENDERED A warm September afternoon in an idyllic English village. Tea is served on the terrace. Sounds of a tennis party float across the lawn. But this England has no place for the heroes of the First World War. No jobs to sustain them, no mantelpieces for their medals, and no money for their debts. Against the odds, three sisters must carve new paths in an uncertain world.
Somerset Maugham’s sharply observed and passionate play is a Chekhovian examination of desire, frustration and hope.
FOR SERVICES RENDERED runs at the Jermyn Street Theatre until October 5th, and is directed by JST’s Artistic Director, Tom Littler.
Continuing
FALSETTOS , the double Tony Award winning musical from James Lapine and William Finn finally gets its London premiere (courtesy of Selladoor Productions) at the Other Palace until November 23rd. Featuring a brilliant cast including Laura Pitt-Pulford (LITTLE MISS SUNSHINE), Natasha J Barnes (WASTED) and Daniel Boys (AVENUE Q) amongst others.
An hilarious and poignant look at a modern family, FALSETTOS revolves around the life of a gay man Marvin, his wife, his lover, his soon to be bar mitzvahed son, their psychiatrist, and the lesbian neighbours, Originally created under the spectre of the AIDS crisis, this ground-breaking musical about family dynamics manages to remain buoyant and satirically perceptive even as it moves towards its heartbreaking conclusion, which reminds us that love is all that really matters.
West End Opening
Opening October 8th Stephen Mangan leads this restyling (by comedy specialist Sean Foley) of the classic 1951 Ealing comedy THE MAN IN THE WHITE SUIT which originally starred Alec Guinness. All about a scientist who creates a miracle fibre which doesn’t wear out, the discovery is seized upon by both the mill owners and the trades unions who all want to suppress it. It will be intriguing to see how Foley works with the fifties nature of the story and manages to bring his own quirky eye to the story details. Reuniting Foley with Stephen Mangan, (they worked together on JEEVES AND WOOSTER to great success in 2016), this will be an interesting experiment in itself.
Opening Outside London
Manchester
Until November 9th Manchester is excited for this – and me too. After 50 years Jerry Herman’s classic musical MAME is back! When young Patrick goes to stay with his Auntie Mame, he walks into a fast-living world of fun and and joy. It will be a real treat to see two-time Olivier-winner Tracie Bennett (Follies) (pictured above, top right) as Mame, with the great Tim Flavin (above, left) and Harriet Thorpe (Absolutely Fabulous) (pictured above, centre) as Mame’s “old, old, old friend” Vera Charles. Get set for some high-octane musical fun! The celebrated score includes the rousing title number, plus “Open a New Window,” “If He Walked into My Life,” “We Need a Little Christmas,” “Bosom Buddies” and “That’s How Young I Feel.” Good to see that rising star producer Katy Lipson -who has now made so many excellent smaller-scale musicals – is starting to move into the bigger shows. Great good wishes from me to everyone involved! Previews from September 28th and playing till November 9th. The show visits Northampton and Salisbury in January 2020, and must tour the whole country soon!
Salisbury
5th – 29th OctoberHere is a most welcome revival of BREAKING THE CODE, a play first seen in 1986 when it starred Derek Jacobi. At the height of the Second World War eccentric genius Alan Turing was breaking the complex German code, Enigma, at Bletchley Park. Since his work was classified top secret for years after the war, no one knew how much was owed to him when he was later put on trial and publicly humiliated by the revelation of his sexuality. Hugh Whitemore’s compelling play intertwines an account of Turing’s most heroic hour with that of his betrayal by the nation he had helped in its darkest hour. Turing’s story went on to be told in the 2014 Oscar-winning film The Imitation Game, starring Benedict Cumberbatch.
Breaking the Code stars Edward Bennett and Julian Firth and is directed by Christian Durham.
Touring the UK
C’est Magnifique! Achieving the near-impossible task of translating a unique French movie to the stage, and doing so in some style, this UK tour of AMELIE will bring a smile to your lips and warmth to your heart, as we follow our heroine helping others but finding it hardest to help herself. With a tuneful score and dynamic Audrey Brisson as Amelie, this is your passport to joie de vivre. See it in October at Southampton until October 5th when the tour ends. The show then prepares for a transfer to London in November for a Christmas season at The Other Palace.
If you love the Latin crossover music of Gloria Estefan you will enjoy ON YOUR FEET! It has had mixed but mostly positive reviews, unanimous in the musical content of the show. It looks good and sounds just great, with a brilliant band (worth the price of admission alone) who never let the energy flag.
Featuring 26 hits, this Tony Award nominated show ran on Broadway for two years, for over 750 performances. ON YOUR FEET!is the inspiring true love story of Emilio and Gloria Estefan and charts their journey from Cuba to the streets of Miami and finally to international superstardom. Featuring some of the most iconic pop songs of the era, including “Rhythm is Gonna Get You”, “Conga”, “Get On Your Feet”, “Don’t Want To Lose You Now” and “1-2-3” and many more.
ON YOUR FEET! is directed by two-time Tony Award® winner Jerry Mitchell (Kinky Boots, Legally Blonde), with choreography by Olivier Award-winner Sergio Trujillo (Jersey Boys) and book by Academy Award® winner Alexander Dinelaris (Birdman). See it in October at Sunderland, Edinburgh, Sheffield, Cardiff and Manchester.
October brings another NTLive broadcast to screens around the UK and further afield. On October 17th The Bridge Theatre’s highly-acclaimed production of A MIDSUMMER NIGHT’S DREAM will be coming to a venue near you.
To find screenings in your area check out the schedule of NT Live website, details here.
Welcome to September’s show highlights. Here are my picks of the most interesting shows that you can find around London and the UK.
So, after a rash of festivals in Edinburgh and London, there’s just a moment to catch our breath before the next wave of great shows kicks off in early September. Fasten your seatbelts!
Off-West End
PRELUDES sounds fascinating. Based on a true story of the composer genius Rachmaninoff’s sessions of hypnotherapy, PRELUDES is an intriguing new musical by three-time Tony Award-nominee Dave Malloy (Natasha, Pierre and the Great Comet of 1812, Ghost Quartet). It examines the crippling debilitation and harm the world can do to people, and how the dramatic and musical process can be used as therapy to restore them back into the fullest of creative lives. PRELUDES runs from September 6th until October 12th at Southwark Playhouse.
FAITH, HOPE AND CHARITY In a run-down community hall on the edge of town, a woman has been cooking lunch for those in need. A choir is starting up, run by a volunteer who’s looking for a new beginning. A mother is seeking help in her fight to keep her young daughter from being taken into care. An older man sits silently in the corner, the first to arrive, the last to leave. Outside the rain is falling.
FAITH, HOPE AND CHARITY is the culmination of a trilogy that began with BEYOND CARING – ‘Unforgettable’ (The Times) – and followed by LOVE – ‘the National’s play of the year, and then some’ (Evening Standard). Alexander Zeldin’s new play promises to be another uncompromising theatrical experience that goes to the heart of our uncertain times. Playing at the National’s Dorfman Theatre from September 9th to October 12th.
Hampstead Theatre Downstairs is an undisputed treasure trove of new writing, and this looks set to continue with EITHER . Running from September 19th to October 26th, Ruby Thomas’ funny, smart and sexy debut play probes our romantic choices in life and explores the human need to connect and be loved – regardless of the ramifications.
A young, loved-up couple are surrounded by life’s infinite possibilities and temptations. And at a time in their lives where they have little responsibility, they’re determined to live this chapter as fully and spontaneously as possible. But in their pursuit to enjoy all that life has to offer, should every opportunity that comes their way be taken?
FALSETTOS , the double Tony Award winning musical from James Lapine and William Finn finally gets its London premiere (courtesy of Selladoor Productions) at the Other Palace from August 30th until November 23rd. Featuring a brilliant cast including Laura Pitt-Pulford (LITTLE MISS SUNSHINE), Natasha J Barnes (WASTED) and Daniel Boys (AVENUE Q) amongst others.
An hilarious and poignant look at a modern family, FALSETTOS revolves around the life of a gay man Marvin, his wife, his lover, his soon to be bar mitzvahed son, their psychiatrist, and the lesbian neighbours, Originally created under the spectre of the AIDS crisis, this ground-breaking musical about family dynamics manages to remain buoyant and satirically perceptive even as it moves towards its heartbreaking conclusion, which reminds us that love is all that really matters.
ANNA BELLA EEMA “Something is coming. It’s either the interstate or the end of the world”. Precocious child Annabella lives in a deserted trailer park. Schooled by her eccentric mother Irene, she learns to co-exist with the vampires, werewolves and monsters that lurk in the world outside. Desperate to ward off the new highway that threatens the demolition of their home, Annabella steps outside to build a girl out of mud. The girl comes to life. The girl is Anna Bella Eema.
Pulitzer Prize finalist Lisa D’Amour’s (Detroit, National Theatre) part ghost story, part fairytale, part coming-of-age fantasy, ANNA BELLA EEMA is a dazzling burst of storytelling from the dark heart of American Gothic. Playing at the Arcola from September 11th to October 12th.
TORCH SONG, Harvey Fierstein’s Tony-winning play about the life and loves of a drag artist in 1970s New York runs from September 6th to October 13th at the Turbine Theatre in Battersea, next to the Power Station. This inaugural production at the venue is directed by Olivier-winner Drew McOnie
FOR SERVICES RENDERED A warm September afternoon in an idyllic English village. Tea is served on the terrace. Sounds of a tennis party float across the lawn. But this England has no place for the heroes of the First World War. No jobs to sustain them, no mantelpieces for their medals, and no money for their debts. Against the odds, three sisters must carve new paths in an uncertain world.
Somerset Maugham’s sharply observed and passionate play is a Chekhovian examination of desire, frustration and hope.
FOR SERVICES RENDERED runs at the Jermyn Street Theatre from September 4th to October 5th. Directed by JST’s Artistic Director, Tom Littler.
HOW LOVE IS SPELT“She wanted spontaneity, adventure… I said I can be spontaneous… I just need a little bit of time to plan.” Peta is new in town and ready for whatever London has to throw at her. She’s looking for romance, for friendship, for exciting people to lead her on big adventures. But being an independent woman in the new millennium isn’t easy, especially when there’s a constant reminder of the life you’re trying to escape. With each new encounter, Peta flirts with what might have been, but has the journey to London put enough distance between her and her past?
This is the first major revival of this fascinating and funny play from Susan Smith Blackburn Prize-winning playwright Chloe Moss (This Wide Night, Soho Theatre; Dickensian, BBC) which was first produced at Bush Theatre in 2004. How Love Is Spelt is directed by Charlotte Peters (Associate Director War Horse, UK Tour and An Inspector Calls, West End). Playing at Southwark Playhouse from September 4th to 28th.
“You should all have a book. Does everyone have a book? This book is part of the play. In a minute, we’ll all open this book and we’ll invite you to turn the pages.”
The writer manipulates a group of people to sit together and believe in something that isn’t true. The book he’s written predicts it all: the equations, the black hole and all the words we’ll speak until the end.
On this last day, at this last hour, a defector finds her voice and returns.
In this new play, presented through stage action and illustrated text, audience and actors turn the book’s pages together, they study the images and they sometimes share the words out loud.
ALL OF ME is an intimate and absurd exploration of wanting to live, wanting to die and what can happen if we sit together with the dark. Olivier Award nominee Caroline Horton reunites with director Alex Swift (★★★★ How to Win Against History, Young Vic) to bring you the show that happens after the curtain call, when the lights have gone down but the mess remains. Playing at the Yard in East London from September 10th to 28th
Until September 7th at the Kiln Theatre in Kilburn, the Olivier and Tony Award nominated musical BLUES IN THE NIGHT is in its first major London revival in 30 years. Directed by Susie McKenna and starring Olivier Award winners Sharon D. Clarke (Death of A Salesman, Caroline or Change, Ghost, Amen Corner) and Clive Rowe (Guys and Dolls, Carousel), Blues in the Night is a steamy compilation of 26 hot and torchy blues numbers that frame the lives and loves of four residents of a downtown hotel. Featuring soul-filled songs by blues and jazz icons Bessie Smith, Duke Ellington, Johnny Mercer, Harold Arlen and many more.
West End Opening
Well, we have had quite a slew of film to stage adaptations in the last few years, haven’t we? Whilst it’s true that they will never have the same qualities as the originals, they are often worth seeing for the talent involved. A case in point is the restyling of the classic 1951 Ealing comedy THE MAN IN THE WHITE SUIT which originally starred Alec Guinness. All about a scientist who creates a miracle fibre which doesn’t wear out, the discovery is seized upon by both the mill owners and the trades unions who all want to suppress it. It will be intriguing to see how Sean Foley (adaptor and director) works with the fifties nature of the story and manages to bring his own quirky eye to the story details. Reuniting Foley with Stephen Mangan, (they worked together on JEEVES AND WOOSTER to great success in 2016), this will be an interesting experiment in itself.
Outside London
Manchester is in for a treat. After 50 years Jerry Herman’s classic musical MAME is back! When young Patrick goes to stay with his Auntie Mame, he walks into a fast-living world of fun and and joy. It will be a real treat to see two-time Olivier-winner Tracie Bennett (Follies) (pictured above, top right) as Mame, with the great Tim Flavin and Harriet Thorpe (Absolutely Fabulous) (pictured above, centre) as Mame’s “old, old, old friend” Vera Charles. Get set for some high-octane musical fun! The celebrated score includes the rousing title number, plus “Open a New Window,” “If He Walked into My Life,” “We Need a Little Christmas,” “Bosom Buddies” and “That’s How Young I Feel.” A tour must follow. Previews from September 28th and playing till November 9th.
Touring the UK
C’est Magnifique! Achieving the near-impossible task of translating a unique French movie to the stage, and doing so in some style, this UK tour of AMELIE will bring a smile to your lips and warmth to your heart, as we follow our heroine helping others but finding it hardest to help herself. With a tuneful score and dynamic Audrey Brisson as Amelie, this is your passport to joie de vivre. See it in September at Eastbourne, Inverness and Southampton . Read my review of the show here
If you love the Latin crossover music of Gloria Estefan you will enjoy ON YOUR FEET! It has had mixed but mostly positive reviews, unanimous in the musical content of the show. It looks good and sounds just great, with a brilliant band (worth the price of admission alone) who never let the energy flag.
Featuring 26 hits, this Tony Award nominated show ran on Broadway for two years, for over 750 performances. ON YOUR FEET!is the inspiring true love story of Emilio and Gloria Estefan and charts their journey from Cuba to the streets of Miami and finally to international superstardom. Featuring some of the most iconic pop songs of the era, including “Rhythm is Gonna Get You”, “Conga”, “Get On Your Feet”, “Don’t Want To Lose You Now” and “1-2-3” and many more.
ON YOUR FEET! is directed by two-time Tony Award® winner Jerry Mitchell (Kinky Boots, Legally Blonde), with choreography by Olivier Award-winner Sergio Trujillo (Jersey Boys) and book by Academy Award® winner Alexander Dinelaris (Birdman). See it in September at Birmingham, Plymouth, Nottingham and Sunderland. Read my review of the show here
James Lapine and William Finn’s LITTLE MISS SUNSHINE is a musical adaptation of the hit 2006 quirky road movie. It’s touring the UK and is worth a visit. See it in September at Leicester, Cardiff, Aberdeen and Liverpool, where the tour closes. Read my review of the show here
Also….
From 13 to 22 September, there are over 100 theatre-related events going on across the country during Heritage Open Days. Most likely a theatre near you will be opening its doors to offer tours of the buildings. Intrigued? Then take a look at their website here where you can search what’s happening near you.
Every September since 1992, London Open House has enabled public access to 800+ buildings, many of which are inaccessible at any other time of the year, with associated walks, talks and tours over one very busy weekend, now attracting over a quarter of a million people annually.
22 theatres and 5 cinemas are listed in this year’s offerings, ranging from the grandeur of Sir Cameron Mackintosh’s freshly-refurbished Victoria Palace Theatre to the Victorian charms of Hoxton Hall and Wilton’s Music Hall, to more modern offerings such as the National Theatre. All will be open for exploration via tours and/or talks on-site. Tucked away in the “entertainment” category is the first cinema to be Grade-I listed, the incredible Tooting Granada (now rather cheesily-titled Buzz Bingo, but inside still an awe-inspiring and richly-detailed movie palace)
Please note that some sites require advance booking while others do not. Do check with the Open House website on each venue’s individual listing page for full details. Also, a lot of venues will open on just one day of the weekend, not both, so do please check before you travel.
Find out more at the Open House website which you can find here
NT Live Broadcasts
September brings two NTLive broadcasts to screens around the UK and further afield. On September 12th Phoebe Waller-Bridge brings her hit show FLEABAG to UK-wide audiences from the stage of Wyndham’s Theatre.
Then on September 26th (and later dates) it’s the welcome return of one of the National’s biggest successes of recent years, Richard Bean’s ONE MAN TWO GUVNORS starring James Corden in a career-boosting role for him.
To find screenings in your area check out the schedule of NT Live website, details here.
London Shows closing
September 7th- BLUES IN THE NIGHT closes at The Kiln Theatre
September 8th- JOSEPH closes at the London Palladium
September 9th- EQUUS closes at Trafalgar Studios
September 14th – THE BRIDGES OF MADISON COUNTY closes at the Menier Chocolate Factory
September 21st – EVITA closes at the Open Air Theatre, Regents Park
September 28th – THE NIGHT OF THE IGUANA at the Noel Coward Theatre
SHACKLETON’S CARPENTER at Jermyn Street Theatre – Mon 12th August, 75 minutes
Suddenly awoken from a nightmare, Harry McNish bursts out from under a tarpaulin covering a lifeboat. McNish was Shackleton’s Carpenter, and this is his story. Malcolm Rennie is an old dependable at places like the Finborough where his expressive face and physicality are welcome additions to period plays. Here, though, he is the whole show, recounting for 75 minutes the particulars of Shackleton’s perilous 1914/15 Antarctic expedition in which McNish was instrumental in saving the crew’s lives. We are plied with information to colour the portrait.
Now at the end of his life, destitute, alone and unable to work, McNish lives along the wharfs in New Zealand, reliving his glory days and most terrifying hours. He is visited by the spirit of Shackleton (“the Boss”) and tracks back over their time together. In exploring McNish’s compromised loyalty, there seems to have been some kind of personality clash between himself and Shackleton, which might explain why McNish was derided for being a pessimist and nicknamed “the old carpenter”. Further antagonisjng Shackleton by defying him and suggesting a different course of action to the inflexible “Boss”, McNish effectively saved the whole crew. It may have been this which influenced McNish’s not receiving the Polar Medal (which almost every other crew member received), but we shall never know.
Rennie creates a haunted but flawed character. A loner, still turning over why he was “one of the boys, but not one of the boys”. His enormous skill as a shipwright saved the entire crew but cost him the use of his hands, evermore crippled by the legacy of intense work in unforgiving temperatures. Both McNish and Shackleton were obviously very strong characters, but the point in the story where Rennie plays them both is a bit unfocussed and fleeting, so that one wonders why it’s there at all. There’s a rather nice finish as all the crew appear to him and one feels a pivotal life moment, but so much has gone before was stretched out that it can only partially reclaim the interest. A respectful biography by Gail Louw, the more interesting parts are where he muses on his wives and the little girl he wanted to call him Daddy; but for me, these moments are rather too few and far between.
Lantern-eyed Rennie is an accomplished actor who pulls out every trick in the book to keep things interesting, but it felt rather like he himself was stranded. He could have had much better support than this. How much light and shade would an interesting lighting design and even more, a sound design have brought us into McNish’s fevered recollections. It was disappointing to have neither of these stage assets to help the story along, further increasing the pressure upon Rennie to deliver the goods entirely alone. Aside from anything else, to have given it some visual interest. This is yet another show which could be recorded for radio without changing a word. Honestly, I must say that it became a little repetitive and was rather too long for my taste. The mysteries remain unanswered, but at least Shackleton’s Carpenter belatedly has his time in the limelight, given respectful dimensionality by Rennie’s full-blooded perfromance.
Welcome to August’s show highlights. Here are my picks of the most interesting shows that you can find around London and the UK.
As you’ll know, August brings us the Edinburgh Festival where the austerely lovely maiden-aunt of a city becomes a kind of endless lasagne of performance , with hundreds of shows in every conceivable space. Good luck to everyone up there! But that doesn’t mean there’s nothing to do or see in the rest of the country. Oh no! Just take a look below for a wide range of ideas to suit your own tastes. Enjoy!
Off-West End
SHACKLETON’S CARPENTER , Harry McNish, was pivotal in ensuring the survival of those who went on Ernest Shackleton’s ill-fated 1914-17 Antarctica expedition.
When the Endurance sank, leaving the crew of 27 stranded, McNish, brilliant carpenter and shipwright, defied Shackleton, but went all the way with him and ensured all 28 were saved.
For all his bravery and ingenuity, McNish was – oddly- one of the very few who were never awarded the Polar Medal. His health impaired by these shattering Polar experiences, he emigrated to New Zealand where his condition worsened, and he could only get dock work. Now, alone and destitute, one still night on the dockside, in his fevered mind he relives the Endurance expedition, pitting himself once more against Shackleton whilst still plagued by the ghosts of his past. Playing at the Jermyn Street Theatre until 17 August.
“It would be abnormal if someone didn’t die. You know, that would be very strange. We’d pay a lot of attention, I think, if that happened.”
THE COLOURS is the latest play from Harriet Madeley, who gave us the highly-praised THE LISTENING ROOM, which was a collection of interviews around the effects of violent crime. In this show, five people lie on a Welsh beach, moving through fantasy, memory and reality as they process the most profound yet ordinary of experiences: nearing the end of life.
As they describe moments from their lives, dig into their present experience and reflect on what the future has in store, we are taken on a rollercoaster ride of the human imagination… and transported all the way to the brink; as far as the eye can see.
THE COLOURS was created from interviews conducted with patients at Ty Olwen Hospice in Swansea and Velindre Cancer Centre in Cardiff. THE COLOURS plays at Soho Theatre Upstairs until 17 August.
Please Note: this play deals with medical themes and life-limiting illness.
Until Sat August 3rd. Something different! OUT OF THE WINGS Festival presents its fourth annual festival, exploring untapped theatre from the Spanish and Portuguese-speaking world. Over five days, a series of staged readings bring to life new English translations of works by playwrights from six countries, alongside workshops, talks and events, in celebration of theatre in translation. At the Omnibus Theatre, Clapham. More information and tickets here.
Until August 10th. Howard Zinn was an American historian, professor and social activist, widely considered one of the most influential thinkers of the 20th century. His book, A People’s History of the United States, has sold two million copies and is read in schools throughout the U.S. THE TIME OF OUR LIESexplores Zinn’s personal history, including being a soldier who dropped bombs on Royan, France in WWll. That fateful moment troubled him for the rest of his days and shaped the man who would become a moral compass for the United States in ways that are more relevant today than ever before.
Starring Daniel Benzali as Howard Zinn, and directed by Che Walker, THE TIME OF OUR LIES is a battle cry for democracy, transparency, and inclusion. The play embodies Zinn’s battle for social justice and his lifelong struggle against false historical narratives written by those in power that poison the well for true democracy. At the Park Theatre.
Extended to August 3rd and then opening in the West End 27 Sep-4 Jan – If it’s laughter you’re after then you can’t go far wrong with Michael Frayn’s NOISES OFF, returning to the scene of its first success in 1982 at the Lyric, Hammersmith. In this new production, directed by Jeremy Herrin, Meera Syal stars as Dotty, ageing actress who has sunk her life savings into a cheap production of a tired sex comedy, hoping that a quick UK tour will bag her a comfy retirement pot. Naturally, things go awry in ever-more disastrous ways, from the set to the cast to the sardines, as we see the show deteriorate from the rehearsal to the insanity of the end of the tour. With dizzying split-second timing, physical comedy and an incredibly complex plot, at its best this is a show to relax and enjoy to the full! Now where did I put those sardines……..
Playing now at the Kiln Theatre in Kilburn, the Olivier and Tony Award nominated musical BLUES IN THE NIGHT is in its first major London revival in 30 years . Directed by Susie McKenna and starring Olivier Award winners Sharon D. Clarke (Death of A Salesman, Caroline or Change, Ghost, Amen Corner) and Clive Rowe (Guys and Dolls, Carousel), Blues in the Night is a steamy compilation of 26 hot and torchy blues numbers that frame the lives and loves of four residents of a downtown hotel. Featuring soul-filled songs by blues and jazz icons Bessie Smith, Duke Ellington, Johnny Mercer, Harold Arlen and many more, it runs to 7 September – and no doubt continuing elsewhere if the ever busy Ms Clarke will find time….
Playing at the Soho Theatre until Aug 24th, THE VIEW UPSTAIRS is the European premiere of Max Vernon’s new musical following its off-Broadway season, here starring John Partridge and Tyrone Huntley, amongst a really first-rate cast of powerful performers. It all starts when Millennial fashion designer Wes buys an abandoned building, not knowing that this forgotten gem was the UpStairs Lounge, a vibrant ‘70s gay bar in the French Quarter of New Orleans, starting an exhilarating journey of seduction and self-exploration in the summertime heat with the rush of lust, sex and incense mixed in the air. Filled with a collection of beautiful love songs and power rock ballads, this is a hopeful musical about friendship, community, how far we’ve come and how far we still have to go. Although the book could be further developed, it’s the music that will win you- it’s carefully-crafted and authentically 70s-sounding. Read my review of the show here.
If you love the Latin crossover music of Gloria Estefan you will enjoy ON YOUR FEET! It has had mixed but mostly positive reviews, unanimous in the musical content of the show. It looks good and sounds just great, with a brilliant band (worth the price of admission alone) who never let the energy flag.
Featuring 26 hits, this Tony Award nominated show ran on Broadway for two years, for over 750 performances. ON YOUR FEET!is the inspiring true love story of Emilio and Gloria Estefan and charts their journey from Cuba to the streets of Miami and finally to international superstardom. Featuring some of the most iconic pop songs of the era, including “Rhythm is Gonna Get You”, “Conga”, “Get On Your Feet”, “Don’t Want To Lose You Now” and “1-2-3” and many more.
ON YOUR FEET! is directed by two-time Tony Award® winner Jerry Mitchell (Kinky Boots, Legally Blonde), with choreography by Olivier Award-winner Sergio Trujillo (Jersey Boys) and book by Academy Award® winner Alexander Dinelaris (Birdman).
Now playing at the Coliseum until 31st August, after which it embarks on a UK tour.
Now nearing the close of this 50th anniversary UK tour, the tribal rock musical HAIR carries on with abandon, starring Jake Quickenden, Marcus Collins and Kelly Sweeney. See it in August in Cologne (Germany) before it returns to the UK to play Glasgow as the last date of its tour.
Magnifique! Achieving the near-impossible task of translating a unique French movie to the stage, and doing so in some style, this UK tour of AMELIE will bring a smile to your lips and warmth to your heart, as we follow our heroine helping others but finding it hardest to help herself. With a tuneful score and dynamic Audrey Brisson as Amelie, this is your passport to joie de vivre. See it in August at Manchester, Bournemouth, Glasgow and Woking . Read my review of the show here
LITTLE MISS SUNSHINE is out on a national tour until September. See it in August at Canterbury, Dublin, Oxford and Worcestershire. Read my review of the show here
Also….
See 1927’s ***** GOLEM for free – now! Right here….
https://youtu.be/EMxhblCLpkg
For fans of innovative company 1927 (THE ANIMALS AND CHILDREN TOOK TO THE STREETS and GOLEM), you will be happy to know that 1927 are giving you a second chance to watch the brilliant show GOLEM, until 8th August. It’s right here, above. Enjoy!
Thanks to 1927 for making this available and wishing success to their new show ROOTS which plays the Edinburgh Festival in August, details here
NT Live Broadcasts
Throughout August across the UK there are Encore screenings of the much-praised National Theatre productions of THE LEHMAN TRILOGY and SMALL ISLAND. To find screenings in your area check out the schedule of NT Live website, details here.
Kidsweek 2019
For the whole of August, a child aged 16 or under can go to any participating London show for free (where tickets are available) as long as they’re accompanied by a full paying adult. Adults can also buy up to two extra children’s tickets at half price… and there are no booking fees!
