Shows to look forward to in September 2019

Welcome to September’s show highlights. Here are my picks of the most interesting shows that you can find around London and the UK.

So, after a rash of festivals in Edinburgh and London, there’s just a moment to catch our breath before the next wave of great shows kicks off in early September. Fasten your seatbelts!

Off-West End

PRELUDES sounds fascinating. Based on a true story of the composer genius Rachmaninoff’s sessions of hypnotherapy, PRELUDES is an intriguing new musical by three-time Tony Award-nominee Dave Malloy (Natasha, Pierre and the Great Comet of 1812, Ghost Quartet). It examines the crippling debilitation and harm the world can do to people, and how the dramatic and musical process can be used as therapy to restore them back into the fullest of creative lives. PRELUDES runs from September 6th until October 12th at Southwark Playhouse.


FAITH, HOPE AND CHARITY In a run-down community hall on the edge of town, a woman has been cooking lunch for those in need. A choir is starting up, run by a volunteer who’s looking for a new beginning. A mother is seeking help in her fight to keep her young daughter from being taken into care. An older man sits silently in the corner, the first to arrive, the last to leave. Outside the rain is falling.

FAITH, HOPE AND CHARITY is the culmination of a trilogy that began with BEYOND CARING – ‘Unforgettable’ (The Times) – and followed by LOVE – ‘the National’s play of the year, and then some’ (Evening Standard). Alexander Zeldin’s new play promises to be another uncompromising theatrical experience that goes to the heart of our uncertain times. Playing at the National’s Dorfman Theatre from September 9th to October 12th.


Hampstead Theatre Downstairs is an undisputed treasure trove of new writing, and this looks set to continue with EITHER . Running from September 19th to October 26th, Ruby Thomas’ funny, smart and sexy debut play probes our romantic choices in life and explores the human need to connect and be loved – regardless of the ramifications.

A young, loved-up couple are surrounded by life’s infinite possibilities and temptations. And at a time in their lives where they have little responsibility, they’re determined to live this chapter as fully and spontaneously as possible. But in their pursuit to enjoy all that life has to offer, should every opportunity that comes their way be taken?


FALSETTOS , the double Tony Award winning musical from James Lapine and William Finn finally gets its London premiere (courtesy of Selladoor Productions) at the Other Palace from August 30th until November 23rd. Featuring a brilliant cast including Laura Pitt-Pulford (LITTLE MISS SUNSHINE), Natasha J Barnes (WASTED) and Daniel Boys (AVENUE Q) amongst others.

An hilarious and poignant look at a modern family, FALSETTOS revolves around the life of a gay man Marvin, his wife, his lover, his soon to be bar mitzvahed son, their psychiatrist, and the lesbian neighbours, Originally created under the spectre of the AIDS crisis, this ground-breaking musical about family dynamics manages to remain buoyant and satirically perceptive even as it moves towards its heartbreaking conclusion, which reminds us that love is all that really matters.


ANNA BELLA EEMA  “Something is coming. It’s either the interstate or the end of the world”. Precocious child Annabella lives in a deserted trailer park. Schooled by her eccentric mother Irene, she learns to co-exist with the vampires, werewolves and monsters that lurk in the world outside. Desperate to ward off the new highway that threatens the demolition of their home, Annabella steps outside to build a girl out of mud. The girl comes to life. The girl is Anna Bella Eema.

Pulitzer Prize finalist Lisa D’Amour’s (Detroit, National Theatre) part ghost story, part fairytale, part coming-of-age fantasy, ANNA BELLA EEMA is a dazzling burst of storytelling from the dark heart of American Gothic. Playing at the Arcola from September 11th to October 12th.


TORCH SONG, Harvey Fierstein’s Tony-winning play about the life and loves of a drag artist in 1970s New York runs from September 6th to October 13th at the Turbine Theatre in Battersea, next to the Power Station. This inaugural production at the venue is directed by Olivier-winner Drew McOnie


FOR SERVICES RENDERED A warm September afternoon in an idyllic English village. Tea is served on the terrace. Sounds of a tennis party float across the lawn. But this England has no place for the heroes of the First World War. No jobs to sustain them, no mantelpieces for their medals, and no money for their debts. Against the odds, three sisters must carve new paths in an uncertain world.

Somerset Maugham’s sharply observed and passionate play is a Chekhovian examination of desire, frustration and hope.

FOR SERVICES RENDERED runs at the Jermyn Street Theatre from September 4th to October 5th. Directed by JST’s Artistic Director, Tom Littler.


HOW LOVE IS SPELT “She wanted spontaneity, adventure… I said I can be spontaneous… I just need a little bit of time to plan.” Peta is new in town and ready for whatever London has to throw at her. She’s looking for romance, for friendship, for exciting people to lead her on big adventures. But being an independent woman in the new millennium isn’t easy, especially when there’s a constant reminder of the life you’re trying to escape. With each new encounter, Peta flirts with what might have been, but has the journey to London put enough distance between her and her past?

This is the first major revival of this fascinating and funny play from Susan Smith Blackburn Prize-winning playwright Chloe Moss (This Wide Night, Soho Theatre; Dickensian, BBC) which was first produced at Bush Theatre in 2004. How Love Is Spelt is directed by Charlotte Peters (Associate Director War Horse, UK Tour and An Inspector Calls, West End). Playing at Southwark Playhouse from September 4th to 28th.


At the Royal Court from September 3rd to 21st, TOTAL IMMEDIATE COLLECTIVE IMMINENT TERRESTRIAL SALVATION by experimental theatre maker Tim Crouch arrives in London after a controversial season at the Edinburgh Festival.

“You should all have a book.  Does everyone have a book? This book is part of the play. 
In a minute, we’ll all open this book and we’ll invite you to turn the pages.”

The writer manipulates a group of people to sit together and believe in something that isn’t true. The book he’s written predicts it all: the equations, the black hole and all the words we’ll speak until the end.

On this last day, at this last hour, a defector finds her voice and returns.

In this new play, presented through stage action and illustrated text, audience and actors turn the book’s pages together, they study the images and they sometimes share the words out loud.


ALL OF ME is an intimate and absurd exploration of wanting to live, wanting to die and what can happen if we sit together with the dark. Olivier Award nominee Caroline Horton reunites with director Alex Swift (★★★★ How to Win Against History, Young Vic) to bring you the show that happens after the curtain call, when the lights have gone down but the mess remains. Playing at the Yard in East London from September 10th to 28th


Until September 7th at the Kiln Theatre in Kilburn, the Olivier and Tony Award nominated musical BLUES IN THE NIGHT is in its first major London revival in 30 years. Directed by Susie McKenna and starring Olivier Award winners Sharon D. Clarke (Death of A Salesman, Caroline or Change, Ghost, Amen Corner) and Clive Rowe (Guys and Dolls, Carousel), Blues in the Night is a steamy compilation of 26 hot and torchy blues numbers that frame the lives and loves of four residents of a downtown hotel. Featuring soul-filled songs by blues and jazz icons Bessie Smith, Duke Ellington, Johnny Mercer, Harold Arlen and many more.


West End Opening

Well, we have had quite a slew of film to stage adaptations in the last few years, haven’t we? Whilst it’s true that they will never have the same qualities as the originals, they are often worth seeing for the talent involved. A case in point is the restyling of the classic 1951 Ealing comedy THE MAN IN THE WHITE SUIT which originally starred Alec Guinness. All about a scientist who creates a miracle fibre which doesn’t wear out, the discovery is seized upon by both the mill owners and the trades unions who all want to suppress it. It will be intriguing to see how Sean Foley (adaptor and director) works with the fifties nature of the story and manages to bring his own quirky eye to the story details. Reuniting Foley with Stephen Mangan, (they worked together on JEEVES AND WOOSTER to great success in 2016), this will be an interesting experiment in itself.


Outside London

Manchester is in for a treat. After 50 years Jerry Herman’s classic musical MAME is back! When young Patrick goes to stay with his Auntie Mame, he walks into a fast-living world of fun and and joy. It will be a real treat to see two-time Olivier-winner Tracie Bennett (Follies) (pictured above, top right) as Mame, with the great Tim Flavin and Harriet Thorpe (Absolutely Fabulous) (pictured above, centre) as Mame’s “old, old, old friend” Vera Charles. Get set for some high-octane musical fun! The celebrated score includes the rousing title number, plus “Open a New Window,” “If He Walked into My Life,” “We Need a Little Christmas,” “Bosom Buddies” and “That’s How Young I Feel.” A tour must follow. Previews from September 28th and playing till November 9th.


Touring the UK

C’est Magnifique! Achieving the near-impossible task of translating a unique French movie to the stage, and doing so in some style, this UK tour of AMELIE will bring a smile to your lips and warmth to your heart, as we follow our heroine helping others but finding it hardest to help herself. With a tuneful score and dynamic Audrey Brisson as Amelie, this is your passport to joie de vivre. See it in September at Eastbourne, Inverness and Southampton . Read my review of the show here


If you love the Latin crossover music of Gloria Estefan you will enjoy ON YOUR FEET! It has had mixed but mostly positive reviews, unanimous in the musical content of the show. It looks good and sounds just great, with a brilliant band (worth the price of admission alone) who never let the energy flag.

Featuring 26 hits, this Tony Award nominated show ran on Broadway for two years, for over 750 performances. ON YOUR FEET! is the inspiring true love story of Emilio and Gloria Estefan and charts their journey from Cuba to the streets of Miami and finally to international superstardom. Featuring some of the most iconic pop songs of the era, including “Rhythm is Gonna Get You”, “Conga”, “Get On Your Feet”, “Don’t Want To Lose You Now” and “1-2-3” and many more.

ON YOUR FEET! is directed by two-time Tony Award® winner Jerry Mitchell (Kinky Boots, Legally Blonde), with choreography by Olivier Award-winner Sergio Trujillo (Jersey Boys) and book by Academy Award® winner Alexander Dinelaris (Birdman). See it in September at Birmingham, Plymouth, Nottingham and Sunderland. Read my review of the show here


James Lapine and William Finn’s LITTLE MISS SUNSHINE is a musical adaptation of the hit 2006 quirky road movie. It’s touring the UK and is worth a visit. See it in September at Leicester, Cardiff, Aberdeen and Liverpool, where the tour closes. Read my review of the show here


Also….

From 13 to 22 September, there are over 100 theatre-related events going on across the country during Heritage Open Days. Most likely a theatre near you will be opening its doors to offer tours of the buildings. Intrigued? Then take a look at their website here where you can search what’s happening near you.


Every September since 1992, London Open House has enabled public access to 800+ buildings, many of which are inaccessible at any other time of the year, with associated walks, talks and tours over one very busy weekend, now attracting over a quarter of a million people annually.

22 theatres and 5 cinemas are listed in this year’s offerings, ranging from the grandeur of Sir Cameron Mackintosh’s freshly-refurbished Victoria Palace Theatre to the Victorian charms of Hoxton Hall and Wilton’s Music Hall, to more modern offerings such as the National Theatre. All will be open for exploration via tours and/or talks on-site. Tucked away in the “entertainment” category is the first cinema to be Grade-I listed, the incredible Tooting Granada (now rather cheesily-titled Buzz Bingo, but inside still an awe-inspiring and richly-detailed movie palace)

Please note that some sites require advance booking while others do not. Do check with the Open House website on each venue’s individual listing page for full details. Also, a lot of venues will open on just one day of the weekend, not both, so do please check before you travel.

Find out more at the Open House website which you can find here


NT Live Broadcasts

September brings two NTLive broadcasts to screens around the UK and further afield. On September 12th Phoebe Waller-Bridge brings her hit show FLEABAG to UK-wide audiences from the stage of Wyndham’s Theatre.

Then on September 26th (and later dates) it’s the welcome return of one of the National’s biggest successes of recent years, Richard Bean’s ONE MAN TWO GUVNORS starring James Corden in a career-boosting role for him.

To find screenings in your area check out the schedule of NT Live website, details here.


London Shows closing

September 7th- BLUES IN THE NIGHT closes at The Kiln Theatre

September 8th- JOSEPH closes at the London Palladium

September 9th- EQUUS closes at Trafalgar Studios

September 14th – THE BRIDGES OF MADISON COUNTY closes at the Menier Chocolate Factory

September 21st – EVITA closes at the Open Air Theatre, Regents Park

September 28th – THE NIGHT OF THE IGUANA at the Noel Coward Theatre

Shows to look forward to in July 2019

Welcome to July’s show highlights. Here are my picks of the most interesting shows that you can find around London and the UK.

Off-West End


CHASING RAINBOWS is an engaging and heartfelt examination of the many tensions of modern motherhood, as seen through the eyes of the first black woman astronaut. As she orbits the Earth, preparing to record a speech for her daughter’s school graduation ceremony, she reflects on the joys and costs of achieving her goals whilst trying to stay true to her roles as a mother and a woman. An ear-catching verse script is brought to life effectively by actor Donna Berlin as Ama the astronaut as she floats through space, separated from her daughter by more than distance. Berlin gives an committed performance which makes this show worth seeing. At the Hoxton Hall, another glorious old survival of a Victorian music hall. Playing Thursdays-Saturdays until July 20th.


SPITFIRE SISTERS is an intriguing-sounding new play at the Space from 2 to 6 July. A long overdue celebration of women in World War Two, this play centres on a 19-year-old Northern lass who takes to the air in a fighter plane, armed with only a compass. Her mission? To deliver fighter aircraft to the forces on the front. And she wasn’t the only one.

Discover the true, untold story of a collection of fierce, pioneering British and American women who took to the skies in World War II to fight for victory alongside the allies, all whilst achieving equal pay with their male counterparts. From award-winning play-writing trio, Three of a Kind, and directed by the Space’s Artistic Director Adam Hemming, SPITFIRE SISTERS is a celebration of the passion and determination of these unsung heroines ‘eager for the air’.


The Finborough Theatre has come up with a full-throttled treat of melodrama which is playing its last week, closing July 6th. Directed by the reliable Phil Wilmott, AFTER DARK is a mid-Victorian hit play by highly-successful writer Dion Boucicault (The Shaughraun, London Assurance, The Octoroon, etc). The tiny 50-seat Finborough hosts a cast of twelve (!) and the many melodramatic scenes include train crashes, river rescues, dastardly villains, plucky heroines, salacious scandal and dark secrets, all crackling with the energy of a London of fresh peril and opportunity. All this and the new-fangled London Underground railway too! A treat not to be missed.


Opening July 2nd and running to 27th July – If it’s laughter you’re after then you can’t go far wrong with Michael Frayn’s NOISES OFF, returning to the scene of its first success in 1982 at the Lyric, Hammersmith. In this new production, directed by Jeremy Herrin, Meera Syal stars as Dotty, ageing actress who has sunk her life savings into a cheap production of a tired sex comedy, hoping that a quick UK tour will bag her a comfy retirement pot. Naturally, things go awry in ever-more disastrous ways, from the set to the cast to the sardines, as we see the show deteriorate from the rehearsal to the insanity of the end of the tour. With dizzying split-second timing, physical comedy and an incredibly complex plot, at its best this is a show to relax and enjoy to the full! Let’s hope this production lives up to its promise. Now where did I put those sardines……..


PETER GYNT Weighing in at three and a half hours, this’ll give you value for money! Ibsen’s classic PEER GYNT is reinvented as a riotous musical adventure for the 21st century in this National Theatre co-production with the Edinburgh International Festival (the show visits Edinburgh in August). Peter Gynt is searching for something: himself. Traveling from the mountains of Scotland to the pool-sides of Florida, he’ll meet talking hyenas, two-headed trolls and even an Egyptian Sphinx.  But his ultimate transformation may not be all that he hoped for…

Playing the rebellious antihero, James McArdle (Angels In America) is reunited with writer David Hare and director Jonathan Kent, the partnership behind the triumphant Young Chekhov at Chichester Festival Theatre and the National Theatre. This outrageous modern myth is designed by the Tony award-winning Richard Hudson (The Lion King), with an original score from Paul Englishby (BBC’s Luther and Dr Foster) and movement direction from Polly Bennett (Bohemian Rhapsody).


Now here’s a cast for you! From 18 July, the The Olivier and Tony Award nominated musical BLUES IN THE NIGHT sees its first major London revival in 30 years at the Kiln Theatre in Kilburn. Directed by Susie McKenna and starring Olivier Award winners Sharon D. Clarke (Death of A Salesman, Caroline or Change, Ghost, Amen Corner) and Clive Rowe (Guys and Dolls, Carousel), Blues in the Night is a steamy compilation of 26 hot and torchy blues numbers that frame the lives and loves of four residents of a downtown hotel. Featuring soul-filled songs by blues and jazz icons Bessie Smith, Duke Ellington, Johnny Mercer, Harold Arlen and many more, it runs to 7 September – and no doubt continuing elsewhere….


Also from July 18th, THE VIEW UPSTAIRS is the European premiere of a new musical coming to London following a hit off-Broadway season, starring John Partridge and Tyrone Huntley, amongst others. Fashion designer Wes buys an abandoned building, not knowing that this forgotten gem was the UpStairs Lounge, a vibrant ‘70s gay bar in the French Quarter of New Orleans, starting an exhilarating journey of seduction and self-exploration in the summertime heat with the rush of lust, sex and incense mixed in the air. Filled with a collection of beautiful love songs and power rock ballads, this is a hopeful musical about friendship, community, how far we’ve come and how far we still have to go. It plays at the Soho Theatre until Aug 24th.


DEATH OF A SALESMAN is the much-lauded new production of the Arthur Miller classic from star director Marianne Elliott, with a standout cast including Olivier Award-winner Sharon D Clarke (Caroline, or Change), Wendell Pierce (The Wire, Suits, Selma) who makes his UK stage debut, and Arinzé Kene (Misty), in one of the greatest plays of the twentieth century, as seen here through the eyes of an African American family. Not quite the ground-breaker we were hyped up to expect, nevertheless a very solid production well worth seeing. Running at the Young Vic to July 13, it has been announced to transfer into the Piccadilly from October until January 2020.


Having received very good reviews across the board, the Orange Tree in Richmond continues with Paul Miller’s revival of Terence Rattigan’s World War II hit WHILE THE SUN SHINES until 27th July, after scoring another big hit with Rattigan’s FRENCH WITHOUT TEARS two years ago.

I’ll tell you but you won’t believe me. I slept in the same bed with an earl… No, not a girl, stupid, an earl.” 1943. On the eve of his wedding, the young Earl of Harpenden – Bobby to his friends – has offered his room to Joe, an American soldier he drunkenly met the night before. When Bobby’s fiancée Lady Elizabeth turns up, Joe makes a move, thinking she must be Bobby’s ex, the wonderful Mabel Crum. But a Free French lieutenant also has eyes for her… And to complicate matters, Bobby’s future father in law turns up too. It’s London in the Blitz, and identities get confused: time to make hay…


Here’s the perfect Summer show to raise the temperature! Now playing at the Coliseum for a season until 31st August, after which it embarks on a UK tour, ON YOUR FEET! has had mixed but mostly positive reviews, unanimous in the musical content of the show.

Gloria Estefan has sold over 100 million records worldwide and is the most successful Latin crossover performer in the history of pop music.  Featuring the best of her 38 number 1 hits, this Tony Award nominated show ran on Broadway for two years, for over 750 performances. ON YOUR FEET! is the inspiring true love story of Emilio and Gloria Estefan and charts their journey from Cuba to the streets of Miami and finally to international superstardom. Featuring some of the most iconic pop songs of the era, including “Rhythm is Gonna Get You”, “Conga”, “Get On Your Feet”, “Don’t Want To Lose You Now” and “1-2-3” and many more.

ON YOUR FEET! is directed by two-time Tony Award® winner Jerry Mitchell (Kinky Boots, Legally Blonde), with choreography by Olivier Award-winner Sergio Trujillo (Jersey Boys) and book by Academy Award® winner Alexander Dinelaris (Birdman).


Touring the UK

Magnifique! Achieving the near-impossible task of translating a unique French movie to the stage, and doing so in some style, this UK tour of AMELIE will bring a smile to your lips and warmth to your heart, as we follow our heroine helping others but finding it hardest to help herself. With a tuneful score and dynamic Audrey Brisson as Amelie, this is your passport to Joie de Vivre. See it in July at Bradford, Leicester, Bristol, Birmingham and Malvern . Read my review of the show here


LITTLE MISS SUNSHINE is out on a national tour until September . See it in July at Glasgow, Sheffield, Birmingham and Canterbury. Read my review of the show here


Now well into its stride, the 50th anniversary UK tour of the tribal rock musical HAIR carries on with abandon, starring Jake Quickenden, Marcus Collins and Kelly Sweeney. See it in July at Sheffield, Brighton, Milton Keynes, Wolverhampton and then a week’s trip abroad to Cologne before returning to play Glasgow.


Also….

For musical fans, Lloyd Webber and Rice’s JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT plays the London Palladium, opening on July 11th. Meanwhile at the Barbican Theatre, another Lloyd Webber / Rice musical, JESUS CHRIST SUPERSTAR, sets up for a Summer season from 4 July for 60 performances only.


NT Live Broadcasts

25 July – The much-praised National Theatre production of THE LEHMAN TRILOGY is now playing the Piccadilly Theatre and runs to the end of August. With a stunning cast including Simon Russell Beale and Ben Miles as well as having such brilliant reviews behind it, I am sure it will be worth seeing. It is broadcast to cinemas across the country in the schedule of NT Live in 25 July, details here.


Review: AMḖLIE

AMELIE The Musical is touring the UK until October, details here

IN BRIEF Charming, successful stage musical reinvention of unique movie lovingly reboots audiences’ Joie de Vivre

Celebrating a hopeful yet sensitive female hero, who makes a positive difference to the world she inhabits, AMḖLIE has arrived right on time…. As you may know, AMḖLIE was first a quirky, beloved and wildly successful French film from 2001. Turning a French movie into a stage musical is trickier than defusing a bomb whilst wearing oven gloves, so all credit must go to the creative team that have brought this reworked UK tour of AMḖLIE so brilliantly to the stage.

The story: Isolated as a child by overprotective parents, Amélie creates her own fantasy world where facts are her colour and thoughts her friends. Moving to Paris in 1997, she works as a waitress, observing others and performing small acts of kindness which deliver emotional rewards. Amélie is benevolent but distanced. It is only when she sees a man, Nino, collecting discarded photo booth snaps that she feels the first pangs of love. Both Amélie and Nino have a deep interest in others whilst maintaining a distance – Nino through his second hand photos, Amélie through her telescope and anonymous acts of kindness. But Amélie comes to realise that while helping others is easy, the hardest thing is to help herself.

The key to this show is that it never loses sight of its humanity. This production never misses its footing, even in the pretty outrageous first act closer, Elton John’s (Caolan McCarthy) – funeral tribute “Goodbye Amélie” as our heroine watches Princess Diana’s funeral and imagines it her own. Along the way, tiny cast interactions remind us that a simple “Thank You”, when an ensemble member helps Améllie on to one of the higher platforms, has resonance in a quiet, non- showy or self-important way, epitomising the show’s approach.

Audrey Brisson and Danny Mac in AMELIE The Musical. Photo by Pamela Raith Photography

Both leads are perfectly cast, each with an expressive vocal elegance which is highly pleasurable. Audrey Brisson as Amélie works hard; she is rarely off-stage but is full of energy, furnishing her character with tiny bits of business, and a precision that brings this enigmatic character to life, with a powerful voice and clarity. Danny Mac as Nino is strong-voiced, passionate yet tender, his role increasing as the show develops; his big number “Thin Air” is sung with heart and style. I would have liked more from his character- but this is Amélie’s show.

With the iconic Paris Metro sign surmounting the double height Art Nouveau/Deco -inspired set, Madeleine Girling provides an interestingly detailed design, with Amélie’s “nest” far above the Paris bustle, accessed by flying.

The supporting company of performer/musicians work hard and effectively to create a busy stage environment, with much movement direction and use of props, detailed and always interesting. Singing, too, was of a very high standard, with the spotted harmony work a delight to the ear.

Just as this was a film unlike any other, so too the musical has cannily embraced this to make the stage show unique in its approach and style – to make it less of a plot and more of a mosaic of tiny scenes and actions which weave together to make an intriguing storyline flow.

The music and lyrics are similarly complex and delightful. There is an earthiness in the arrangements (brass-light but strongly percussive) that grounds the numbers and lends them believability. A recorded track brings an extra texture to the music which sweeps and washes around the action in a genuinely engaging manner.

Musically, what marks out this show as different is that it is without any major anthems or show-stoppers, creating a kind of a musical modesty suited to the story and the characters, and while that it is appropriate, the downside is that it leaves audiences lacking any takeaway songs. Ditto there was little of what one could call choreography, no dance routines as such, much more in the realm of movement direction, again complex and effective, always interesting to look at but not often what one could call dance. Lighting is also atmospheric and suitably cinematic at times. Sound balance is generally excellent, although on occasion I struggled to hear Amélie’s words over the ensemble, which was a pity as they were worth hearing.

As a modern day fairytale, this could so easily have gone wrong, fallen flat or become infected with Disneyfication, but the humanity, élan, crazy humour and occasional morbidity lend it that quintessential Frenchness which is so often attempted but so rarely achieved.

Puppetry is also well used, spotted effectively with the puppet young Amélie being particularly engaging and skilfully brought to life. On the odd occasion when the pace threatens to lag, along comes a bit of craziness – a singing goldfish, a globe-trotting gnome, animated figs(!) to lift the show and throw us off-balance in the most delightful way.

AMELIE The Musical. Photo by Pamela Raith Photography

There is so much to enjoy in this complex, bustling show that is full of life and joie de vivre, pulled together expertly by director Michael Fentiman who creates a veritable curiosity shop of a show that endlessly fascinates, thanks to a hard working cast of sixteen.

The long-awaited finale when our two lovers come face to face is teased to its absolute limit as they eventually kiss, very slowly and delicately – a gamble with an audience, doing so little for such a long moment, but here the tension was such and the concentration so intense in the theatre, that the consummation was enhanced by the dreamlike slowness of the encounter. The audience were totally rapt.

Leaving on a forward-looking ending, AMḖLIE takes audiences out of the theatre knowing that they have spent two and a half hours in a nicer and more hopeful world. I loved it – and, if you have a pulse, so will you.


AMḖLIE tours the UK until October. For tour information and tickets, use the link here