Join a free conference on Changing Perspectives on Live Performance this Friday and Saturday

Taking place online on Friday and Saturday October 8th/9th from 8.30am to 18.30pm BST, Changing Perspectives on Live Performance: interrogating digital dimensions and new modes of engagement is an intriguing, free two-day conference hosted by Anglia Ruskin University.

The past year has brought changing circumstances to the performance scene. The impossibility of rehearsing and performing to live audiences has forced artists to investigate new alternatives. This has affected both the aesthetics of performance-making and the professional practices of performance-makers. Changes in formats have created new ways of reaching audiences which have more fully exploited an ever-increasing engagement with a wide variety of screen-based technology and digital platforms.

This has significantly transformed live performances which have adapted to new ways of working and resulted in resourceful and imaginative alternatives and variations. Identifying the features of these changes will highlight pioneering directions for the future of live performance. This involves developments in the relationship between dance, theatre and film, offering digital innovations within liveness that this symposium wishes to identify and analyse.

In welcoming presentations, provocations, workshops, and performances as part of the proposals for participating in this symposium, their aim is to identify and analyse the transformations and generate new conversations among artists and theoreticians.

Keynote speakers :

Anne Bogart (theatre director, SITI Company, USA)

Prof Maria Shevtsova (Goldsmiths, University of London, UK)

Dr Mark Nicholls (University of Melbourne, Australia)

Wim Vandekeybus (dance theatre director, Ultima Vez, BE)

Roundtable discussion includes:

Charlotte Vincent (choreographer/director, Vincent Dance Theatre, UK)

Workshop by:

Parliament of Practices

The symposium will cover but is not limited to the following themes:

integrating screen-based technology and practices into live performance

blurring the boundaries between the stage and the screen

preserving, enhancing, or degrading the actor’s performance via screen-based technology

delivering virtual performances – platforms and best practice

the role of recording live performances

theatrical adaptations of cinematography

choreographing the camera when recording live performances

streaming performance or recording performance

site-specific as the new theatre

evolving and enduring innovations

theatre developing its own cinematic language

expanding and diminishing theatrical markets

changing patterns in audience engagement and spectatorship

cognitive dimensions of engaging with emerging forms

impact on emerging artists and pathways into production

re-thinking notions of live performance

the digital hiatus altering the experience of live performance

the experience of the liveness in a digital context

digital dramaturgies within live performance

the gendered nature of the impact of digital and technological innovations

definitions of digital theatre

blended and hybrid modes in transmission of meaning

Register for the Conference and find more details here

Sarah Siddons and Brecon’s theatre history explored in online presentation

Statue of Sarah Siddons, sculpted in 1897 by Léon-Joseph Chavalliaud, located at Paddington Green, London

At 3pm BST this Saturday, October 2nd, there’s a rare chance to learn about theatre history in Brecon, Wales, and to hear about the Brecon-born theatrical sensation that was Sarah Siddons in a free live and online event.

Jayne Gold, a Guildhall School lecturer, is progressing research on theatre in Brecon as part of her PhD. at University of Bristol, and will discuss her latest discoveries relating to Brecon’s theatre traditions. Alongside her, Catherine Hindson, Professor of Theatre History at Bristol, will discuss some of the wider contexts of 18th and 19th century provincial theatre.

The online and in-person event will be complemented by an examination of some of the items in the collection at the Brecknock Museum which are linked to the greatest actor of her day, Sarah Siddons. Attendees will also enjoy a live re-creation of some of the area’s theatrical story.

This free event is presented both live at The Muse, Glamorgan Street, Brecon, (in-person attendance sold out) and online via YouTube – you can watch here

EXTRA You can also hear Jayne Gold talk about her research in a short audio piece called Brecon Stories which you can find here

St George’s Theatre self-guided tours available to all

This great idea arrives as many buildings are celebrating the various annual Open House and Heritage Open Day schemes across the UK.

The creative people at St George’s Theatre, Great Yarmouth have compiled an interesting self-guided heritage tour of their historic building which is most conveniently available to visitors and those unable to visit.

As they say themselves, “Follow in the footsteps of generations gone by & hear the fascinating stories of St George’s Theatre. Explore the stunning 300 year old church, a gem of Baroque architecture and learn about its turbulent history and its near brush with demolition…..”

You can access the tour in person, by using the QR codes handily placed around the building. Or, if you are unable to visit the theatre, you can still enjoy the tour from the comfort of your own home, through their website, details of which below.

It’s a novel way to significantly increase access to a building with an engaging history, and I hope you’ll give it a go.

Find the tour here

Bargains galore at the theatre or at home – LONDON THEATRE WEEK runs till September 5th

Following on from August’s promotion KIDSWEEK, here’s another promotion to entice you back into those comfy theatre seats for a bit of much-missed entertainment.

You’ll need to book by September 5th but the offers carry on through selected dates in September and beyond. While there are a widely varying amount of seats available, it’s worth taking a look to see what you can find for a first – or second – visit.

Here is a link to one of the suppliers for London Theatre Week. Find bargain tickets here

There certainly seems to be a bit of volatility in booking patterns at present, and offers to entice folk back will probably keep popping up this side of Christmas.

However, if you’re feeling ready to go back these offers may just help you.

For guidance on how the theatres are welcoming you back, please have a read of my How To Go To The Theatre Safely article which you can find here

And the “at home” bit? Well, if you aren’t feeling quite ready to get back to your favourite seats in person, here’s a reminder you can enjoy a 7-day free trial of all the brilliant shows on in the comfort of your own home. More details here

Ardent Theatre present STRIKE!

On Thursday September 16th at 7.00pm UK time, Ardent Theatre is inviting you to an exclusive sharing of their play reading of Tracy Ryan’s STRIKE! filmed at the Irish Cultural Centre, to be followed by a live Q&A. (booking necessary- see below)

Ardent’s Creative Director Mark Sands has long been a passionate advocate of Ryan’s play of these real-life events and his dedication to bring STRIKE! to a wider audience is commendable.

Set in Dublin in 1984, the play concerns a twenty-one year old shop worker who refuses to sell South African fruit to a Dunnes Stores customer and is suspended. Ten colleagues follow her out on strike, thinking it will only last two weeks.

It goes on for nearly three years.

STRIKE! by Tracy Ryan is a powerful and moving account of the Dunnes Stores Anti-Apartheid Strike that took place in Dublin between 1984-87.

Filmed at the Irish Cultural Centre in July, this recorded play reading is directed by Kate Saxon and performed by 13 actors.

Following the reading, there will be a live-streamed Q&A with 3 or 4 of the original strikers from Dublin.

7:00pm – 8:15pm: Showing of the pre-recorded play reading

8:15pm – 9:00pm: Live-streamed Q&A with strikers Karen, Liz and Vonnie and hosted by Ardent’s Andrew Muir.

There will be an opportunity to ask questions. To do this, please type your question in the chat function on YouTube on the night. They can’t promise to cover them all, but will get through as many as they can.

Although this is a free event, registration is required to receive the link to the broadcast, which will be sent out near the time of the event.

BOOK your place to see STRIKE! here