Southport’s THE ATKINSON arts centre presents an interesting-sounding talk via Zoom which is just right for the Halloween season.
At 7.00pm GMT on Wednesday 3rd November, learn about theatre ghosts from Dr Catherine Quirk, Lecturer in Drama, Creative Arts Department, Edge Hill University.
To many historians, the Victorians invented the theatre ghost. Innovations in theatre technology over the first half of the nineteenth century meant that ghosts, vampires, fairies—all things supernatural—were an expected part of the business of the stage. But what happens when those who play the ghosts refuse to exit on cue?
This talk will explore the technologies that allowed ghosts to appear on the nineteenth century stage, and will tell the stories of some ghostly figures who keep the nineteenth-century stage with us to this day. Why were the Victorians so fascinated by the spectacle of a spectre? And why won’t their spirits leave the theatre?
Tickets for the hour-long event are free to members of The Atkinson and £5 for others. You can find details here and book tickets here
BOOKING AND JOINING NOTES: Booking is required before 4pm on Wednesday 3 November. The talk will be presented using Zoom. You will receive an email invitation to join a Zoom meeting just after 4pm on Wednesday 3 November.
Taking place online on Friday and Saturday October 8th/9th from 8.30am to 18.30pm BST, Changing Perspectives on Live Performance: interrogating digital dimensions and new modes of engagement is an intriguing, free two-day conference hosted by Anglia Ruskin University.
The past year has brought changing circumstances to the performance scene. The impossibility of rehearsing and performing to live audiences has forced artists to investigate new alternatives. This has affected both the aesthetics of performance-making and the professional practices of performance-makers. Changes in formats have created new ways of reaching audiences which have more fully exploited an ever-increasing engagement with a wide variety of screen-based technology and digital platforms.
This has significantly transformed live performances which have adapted to new ways of working and resulted in resourceful and imaginative alternatives and variations. Identifying the features of these changes will highlight pioneering directions for the future of live performance. This involves developments in the relationship between dance, theatre and film, offering digital innovations within liveness that this symposium wishes to identify and analyse.
In welcoming presentations, provocations, workshops, and performances as part of the proposals for participating in this symposium, their aim is to identify and analyse the transformations and generate new conversations among artists and theoreticians.
Keynote speakers :
Anne Bogart (theatre director, SITI Company, USA)
Prof Maria Shevtsova (Goldsmiths, University of London, UK)
Dr Mark Nicholls (University of Melbourne, Australia)
Wim Vandekeybus (dance theatre director, Ultima Vez, BE)
Roundtable discussion includes:
Charlotte Vincent (choreographer/director, Vincent Dance Theatre, UK)
Parliament of Practices
The symposium will cover but is not limited to the following themes:
integrating screen-based technology and practices into live performance
blurring the boundaries between the stage and the screen
preserving, enhancing, or degrading the actor’s performance via screen-based technology
delivering virtual performances – platforms and best practice
the role of recording live performances
theatrical adaptations of cinematography
choreographing the camera when recording live performances
streaming performance or recording performance
site-specific as the new theatre
evolving and enduring innovations
theatre developing its own cinematic language
expanding and diminishing theatrical markets
changing patterns in audience engagement and spectatorship
cognitive dimensions of engaging with emerging forms
impact on emerging artists and pathways into production
re-thinking notions of live performance
the digital hiatus altering the experience of live performance
the experience of the liveness in a digital context
digital dramaturgies within live performance
the gendered nature of the impact of digital and technological innovations
definitions of digital theatre
blended and hybrid modes in transmission of meaning
Register for the Conference and find more details here
At 3pm BST this Saturday, October 2nd, there’s a rare chance to learn about theatre history in Brecon, Wales, and to hear about the Brecon-born theatrical sensation that was Sarah Siddons in a free live and online event.
Jayne Gold, a Guildhall School lecturer, is progressing research on theatre in Brecon as part of her PhD. at University of Bristol, and will discuss her latest discoveries relating to Brecon’s theatre traditions. Alongside her, Catherine Hindson, Professor of Theatre History at Bristol, will discuss some of the wider contexts of 18th and 19th century provincial theatre.
The online and in-person event will be complemented by an examination of some of the items in the collection at the Brecknock Museum which are linked to the greatest actor of her day, Sarah Siddons. Attendees will also enjoy a live re-creation of some of the area’s theatrical story.
This free event is presented both live at The Muse, Glamorgan Street, Brecon, (in-person attendance sold out) and online via YouTube – you can watch here
EXTRA You can also hear Jayne Gold talk about her research in a short audio piece called Brecon Stories which you can find here
This great idea arrives as many buildings are celebrating the various annual Open House and Heritage Open Day schemes across the UK.
The creative people at St George’s Theatre, Great Yarmouth have compiled an interesting self-guided heritage tour of their historic building which is most conveniently available to visitors and those unable to visit.
As they say themselves, “Follow in the footsteps of generations gone by & hear the fascinating stories of St George’s Theatre. Explore the stunning 300 year old church, a gem of Baroque architecture and learn about its turbulent history and its near brush with demolition…..”
You can access the tour in person, by using the QR codes handily placed around the building. Or, if you are unable to visit the theatre, you can still enjoy the tour from the comfort of your own home, through their website, details of which below.
It’s a novel way to significantly increase access to a building with an engaging history, and I hope you’ll give it a go.
Following on from August’s promotion KIDSWEEK, here’s another promotion to entice you back into those comfy theatre seats for a bit of much-missed entertainment.
You’ll need to book by September 5th but the offers carry on through selected dates in September and beyond. While there are a widely varying amount of seats available, it’s worth taking a look to see what you can find for a first – or second – visit.
Here is a link to one of the suppliers for London Theatre Week. Find bargain tickets here
There certainly seems to be a bit of volatility in booking patterns at present, and offers to entice folk back will probably keep popping up this side of Christmas.
However, if you’re feeling ready to go back these offers may just help you.
For guidance on how the theatres are welcoming you back, please have a read of my How To Go To The Theatre Safely article which you can find here
And the “at home” bit? Well, if you aren’t feeling quite ready to get back to your favourite seats in person, here’s a reminder you can enjoy a 7-day free trial of all the brilliant shows on BroadwayHD.com in the comfort of your own home. More details here