Southport’s THE ATKINSON arts centre presents an interesting-sounding talk via Zoom which is just right for the Halloween season.
At 7.00pm GMT on Wednesday 3rd November, learn about theatre ghosts from Dr Catherine Quirk, Lecturer in Drama, Creative Arts Department, Edge Hill University.
To many historians, the Victorians invented the theatre ghost. Innovations in theatre technology over the first half of the nineteenth century meant that ghosts, vampires, fairies—all things supernatural—were an expected part of the business of the stage. But what happens when those who play the ghosts refuse to exit on cue?
This talk will explore the technologies that allowed ghosts to appear on the nineteenth century stage, and will tell the stories of some ghostly figures who keep the nineteenth-century stage with us to this day. Why were the Victorians so fascinated by the spectacle of a spectre? And why won’t their spirits leave the theatre?
Tickets for the hour-long event are free to members of The Atkinson and £5 for others. You can find details here and book tickets here
BOOKING AND JOINING NOTES: Booking is required before 4pm on Wednesday 3 November. The talk will be presented using Zoom. You will receive an email invitation to join a Zoom meeting just after 4pm on Wednesday 3 November.
The huge public interest around Stockton Globe’s recent highly successful reopening has encouraged them to add some more free venue tours to their schedule, which are available to book now. Booking is compulsory for these tours.
The venue says “We’ve loved being able to welcome so many of you through our doors already and due to popular demand we’ll be running some additional tours of the Globe this month! Tours will be taking place this Monday 18th October and again in half term on 26th & 27th October.”
On Wednesday 20th October at 7.30-9.00pm BST, The Society for Theatre Research invites you to attend a free online discussion entitled “That Other British Asian Theatre: British East Asian and Southeast Asian Performance”, focusing on British East and Southeast Asian representation in theatre.
British East Asian and Southeast Asian theatre and performance are perhaps less well-known than theatre and performance created by British South Asian companies and artists. How are British East Asia and Southeast Asia represented by theatre-makers? So, how has Asia been represented on the contemporary British stage? Increasingly more plays about Asians and on Asian themes have been produced at the National Theatre, the Arcola, the Royal Shakespeare Company, the Royal Court and more. There are a wealth of stories, histories and voices that are yet to be explored and told. Join theatre artists Kumiko Mendl and Kwong Loke in conversation.
Kumiko Mendl trained at the Jacques Lecoq International Theatre School in Paris. She is a founder-member of Yellow Earth Theatre Company (now New Earth Theatre), which celebrated its 25th anniversary in 2020. Yellow Earth’s work includes Asian-themed work as well as new versions of European classics such as Miss Julie. Kumiko Mendl is Artistic Director of New Earth, whose work encompasses performance, community engagement and professional development for emerging actors.
Kwong Loke trained at the Guildhall School of Music and Drama and is an actor and director. He was a founder-member of Yellow Earth Theatre Company and of Stone Crabs Theatre, focusing on intercultural performance. Kwong Loke has appeared in The Great Wave (National Theatre), and Pah-La (Royal Court). He teaches acting and directing in London, Hong Kong and Tokyo, as well as directing at drama conservatories.
To book your free ticket to this Zoom event, please find booking and further details here
England’s long history of building grand indoor spaces for socialising and entertainment began with the music halls of the early Victorian era. Originating as an extension of the saloon bars of local pubs and taverns, music halls developed their own style of variety performance, producing a number of big name acts who frequented the circuit, which was widespread across the UK and enjoyed a formidable longevity of popularity.
Now sadly very rare to find, some notable survivors are discussed in this Historic England blog which is an entertaining read in itself.
On October 7th, Manchester’s critically at-risk Hulme Hippodrome celebrated its 120th anniversary with images of its illustrious history are projected onto the building itself, shown to an invited audience of local people. It certainly looks like like everyone had a good time, as well as raising the profile of the beleaguered Hippodrome.
All this and cake too! Who could resist! Happy Birthday to the Hippo and best wishes to all those fighting to save it from greedy developers.
Here’s a couple of photos from the celebration, courtesy of the campaign organisers’ Twitter feed
UPDATE: on 12th October the Campaign Tweeted this – Save Hulme Hippodrome has received legal advice that building is owned by HHM20 Ltd. “We’ve reached out to the owner on numerous occasions & had no response, we’re sending call out to the owner to speak to us & work on a solution now that it can’t be sold for redevelopment.”
“We’re doubling our energy. We are even more determined to succeed. Our intention now is to put as much pressure as we can on the owner and the regulators to get the building back for Hulme and Manchester. It will not survive another winter.”