Streatham Hill Theatre announces consultants and viability study in first stage of comeback

Streatham Hill Theatre auditorium. Photo courtesy Tim Hatcher

The Friends of Streatham Hill Theatre, supported by the Mayor of London, Lambeth Council and The Theatres Trust, and backed by a successful crowdfunding initiative, have started work with the successful bidders of a hard fought competitive tender to produce a Viability Study and Economic Impact Assessment on the historic building. This will deliver a report on the theatre’s potential to become a multi-purpose arts and culture centre for the local community.

David Harvey, Chair of the Friends of Streatham Hill Theatre said:

“I am delighted to announce we have appointed a crack team led by renowned arts business consultants FEI to deliver this milestone work on reawakening Streatham Hill Theatre. We are confident that the team will deliver a compelling case for its use as an arts and cultural venue fit for a post-Covid renewal. Doing so will help bring new opportunities and benefits to the local economy and to the community that has given us such strong backing.”

Nick Dodds, Managing Director of FEI said:

“We are really excited to be working with the Friends of Streatham Hill Theatre to help bring this important building back to life. We have put together a very experienced team of architects, cost consultants, economists and business planners to find realistic and sustainable options for the building over the next few months. We know from experience that these projects take a huge amount of commitment and enthusiasm from the lead organisation to realise their potential – something the Friends have plenty of!”

Councillor Sonia Winifred, Cabinet Member for Equalities and Culture, Lambeth Council said:

“The appointment of FEI and their consultant team follows a successful crowdfunding initiative and marks a really important phase in the history of Streatham Hill Theatre. Their appointment is a critical step towards understanding what a viable future for the theatre looks like and how that can be achieved. The Council is keen to see the building play a key role in supporting local jobs, boosting the town centre economy and raising Streatham’s profile. We look forward to continuing to work with the Friends and their appointed team over the coming months!”

Claire Appleby, Architecture Adviser at Theatres Trust said:

“We are delighted to be supporting the Viability Study and Economic Impact Assessment for the Streatham Hill Theatre through our Theatres at Risk Capacity Building Programme. The announcement of the appointment of FEI and their consultant team to carry out these works is an exciting and important first step in the journey to breathe new life into this magnificent theatre which has been on our Theatres at Risk register since 2017.”

The viability study has been funded following an overwhelming community response to a crowdfunding campaign by the Friends group of local volunteers. The Crowdfund London campaign gained 440 pledges, and won the backing of the Mayor of London, Lambeth Council and the Theatres Trust. It also gained high-profile endorsements from the creative community, including Baroness Benjamin DBE, DL, Simon Callow CBE, Lolita Chakrabarti, Catherine Russell, and Sir Mark Rylance.

To deliver this project FEI have teamed up with theatre architects Aedas Arts Team, cost and programme consultants Pulse Consult, and creative industry economists Nordicity. They will look at different options for the future of the Grade II listed building as an arts and cultural centre, and then set out a robust and compelling case to decision-makers and interested parties to come on-board.

The report will be completed in December 2020, and will move the Friends of Streatham Hill Theatre a step closer to realising their plans to bring back to life the ‘sleeping beauty’, setting the scene for detailed engagement with potential partners in 2021.

Streatham Hill Theatre foyer. Photo courtesy Tim Hatcher

Watch Now: New York Lincoln Center’s THE NANCE – and a Bonus!

Douglas Carter Beane’s acclaimed Tony Award-nominated play The Nance, produced by Lincoln Center Theater, stars stage and screen actor Nathan Lane. The play tells of a headline “nance” in the twilight of New York burlesque’s era living and working in the secretive and dangerous world of 1930s New York.

Nathan Lane gives the performance of a lifetime as Chauncey Miles, who faces a changing world and his own self-loathing in 1930s New York. The play tells the story of a headline nance (a parody of a gay man) in the twilight of New York burlesque’s era, who is homosexual. Integrating burlesque sketches into his drama, Douglas Carter Beane paints the portrait of a homosexual man, living and working in the secretive and dangerous gay world of 1930s New York, whose outrageous antics on the burlesque stage stand in marked contrast to his offstage life.

With a touching love story at its core, the Tony Award-nominated play is also a fond and funny tribute to the golden age of burlesque. The play received five Tony Award nominations, including a Best Actor nod for Lane. In addition, the cast boasts Tony Award-winner Cady Huffman, Lewis J. Stadlen, Jenni Barber, and Jonny Orsini.

This recording of the 2014 production is available now, in fair quality from a third party source (as the Lincoln Center version is promoted but seems to be unavailable, despiet being announced back in June).

Although this production is free to watch, please strongly consider making a donation to the Lincoln Center to enable it to reopen after this crisis has passed.

You can watch THE NANCE here

EXTRA BONUS – You can watch an After-show Discussion with Nathan Lane here

Thanks to the YouTube poster who made this possible.


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Enjoy a virtual visit from your sofa during Heritage Open Days 2020

Across the UK from 11-20 September, many historic and intriguing buildings are throwing their doors open to the public for unusual levels of access to explore what’s inside.

This year a large number of events have gone online, choosing to provide tours and access virtually, with the benefit that large numbers can participate and enjoy the sessions. As usual a number of theatres are participating, all online except where indicated, including

The Cygnet Theatre, Exeter, Devon

The Roman Theatre, Colchester, Essex

Cheltenham Playhouse, Gloucestershire

The Garrick Theatre in Stockport, Manchester

The Mayflower Theatre in Southampton (not online)

The Theatre Royal Winchester, Hampshire

The Playhouse, Preston, Lancashire

The Y Theatre, Leicester, Leicestershire (not online)

The Little Theatre, Southport, Merseyside

St George’s Theatre, Great Yarmouth, Norfolk

Palace Theatre, Newark, Nottinghamshire

The Blakehay Theatre, Weston-super-Mare, Somerset

Theatre Royal Wakefield, West Yorkshire

You can find out more details about how to take a tour from the comfort of your own sofa by visiting the Heritage Open Days wesbite here


The Finborough’s DEATH OF A HUNTER

“When we die, what do we leave behind?”

Seen onstage in 2018, the Finborough’s UK and English language premiere of DEATH OF A HUNTER is now available to watch for free online until Wednesday 7th October.

Presented as a tribute to German playwright Rolf Hochhuth who died in May, DEATH OF A HUNTER is the fourth play by Hochhuth presented at the Finborough. This production opened on the author’s 87th birthday. As part of the Finborough’s own 40th birthday celebrations, the play stars Edmund Dehn who also appeared in the Finborough’s very first production back in 1980.

Unable to write anymore, Ernest Hemingway fights his last and loneliest battle as he tries to find the courage to commit suicide. He confronts his demons, questions old certainties and comes face to face with the ghosts of his past…

Clinically, precisely, harrowingly and in real time, radical German playwright Hochhuth explores the final hour in the life of an American icon, examining the cult of celebrity, the trappings of fame and “the ultimate futility with which we are all cursed and ‘blessed’”.

The show received many four-star notices and lasts approximately one hour. There is no guidance listed for this production.

Although this production is free to watch, please strongly consider making a donation to Finborough Theatre to enable it to reopen after this crisis has passed.

VIEWING PERIOD ENDED


How many people does it take to put on a West End musical? Saluting all the talented people who are unable to work right now…..

“How many people does it take to put on a West End musical?” That was the question posed by one of the national daily newspapers back in 1988.

The cast and crew – and everyone who worked on BRIGADOON, 1988/9 Victoria Palace Theatre, London *For anyone wondering, I am on the front row, last on the right.

At the time, I was at the Victoria Palace Theatre, where the delightful Lerner and Loewe musical BRIGADOON was settling into what would be year-long run. As a useful bit of publicity for the show the producer, Ronnie Lee organised for a photocall for every person working in the theatre to be captured in an onstage photo which would be taken after the midweek matinee.

The count in the photo isn’t entirely accurate – for evening performances there would be more front of house staff working, and I felt sorry that those with other nine-to-five jobs didn’t get a chance to participate. It is a very rare photo, and so I wanted to share it with you not only to recall a very happy production and excellent team, but also to remind us all of the many hundreds of thousands of hugely gifted theatre practitioners who are unable to work right now. Thank you for all your talent and I hope that we all get back to doing what we love again very soon.

So let’s just remind ourselves of all the brilliant people it takes to run a show.

FOR THE PRODUCTION (On and Off Stage)

Producer (and Assistant Producer(s))

Actors (stars, featured performers, chorus and supporting company)

Understudies, swings and covers

Musicians (Musical Director, musicians, fixer)

Script writer /Book writer (for musicals)

Composer

Arranger

Choreographer

Director

Company Manager

Stage Management team – Stage Manager, Assistant Stage Manager, Deputy Stage Manager

Casting Director

Agents

Accountants

Insurers

Legal advisors

Wardrobe Master/Mistress, wardrobe team

Hair and wigs team

Sound technician

Effects/visual consultant

Production team (Production Manager, Production Assistants, office team)

Set designers

Set construction studios

Costume designer

Costume production team

Lighting designer

Lighting hire companies

Sound designer

Sound hire companies

Production Manager

Rehearsal room hire companies

Pyrotechnics adviser

Fight/ stunt coordinators

Dialect coaches

Marketing team

Publicity/PR company

Photographer

Graphic Designer

Copyright holders / rights handlers

FOR THE THEATRE

Theatre owners

Theatre Manager

House Manager

Deputy Manager

Assistant Manager

Front of House staff (Chiefs of Staff, Assistants, bar staff, attendants, sales team, catering staff)

Box Office (Manager, deputy Manager, team of booking clerks)

Chief Electrician, Electrics stage team, follow spot operators, lighting board operative

Master Carpenter, stage hands team

Stage Door Keper

Fireman

Cleaners

AND NOT FORGETTING….

Programme designers, writers, contributors, printers and distributors

Brochure designers, writers, contributors, printers and distributors

Show-related merchandise designers, manufacturers and suppliers

Event catering companies (Press Night, Gala Performances, Charity Events, etc)

Drinks suppliers and distributors

Office stationery suppliers

Ticketing supplies companies

Ice cream manufacturers

Ice suppliers to the bars

Telecoms companies

IT support teams

Security staff

AND MOST IMPORTANTLY OF ALL

Investors!


READERS! Do let me know if I’ve forgotten anyone. If I have, my sincere apologies and I shall update this entry accordingly every so often.